Life of Lord Byron, Vol. IV | Page 4

Thomas Moore
Morea; and a tiger at supper in Exeter Change.
"When you write, continue to address to me at Venice. Where do you suppose the books you sent to me are? At Turin! This comes of '_the Foreign Office_' which is foreign enough, God knows, for any good it can be of to me, or any one else, and be d----d to it, to its last clerk and first charlatan, Castlereagh.
"This makes my hundredth letter at least.
"Yours," &c.
* * * * *
TO MR. MURRAY.
"Venice, April 14. 1817.
"The present proofs (of the whole) begin only at the 17th page; but as I had corrected and sent back the first Act, it does not signify.
"The third Act is certainly d----d bad, and, like the Archbishop of Grenada's homily (which savoured of the palsy), has the dregs of my fever, during which it was written. It must on no account be published in its present state. I will try and reform it, or rewrite it altogether; but the impulse is gone, and I have no chance of making any thing out of it. I would not have it published as it is on any account. The speech of Manfred to the Sun is the only part of this act I thought good myself; the rest is certainly as bad as bad can be, and I wonder what the devil possessed me.
"I am very glad indeed that you sent me Mr. Gifford's opinion without deduction. Do you suppose me such a booby as not to be very much obliged to him? or that in fact I was not, and am not, convinced and convicted in my conscience of this same overt act of nonsense?
"I shall try at it again: in the mean time, lay it upon the shelf (the whole Drama, I mean): but pray correct your copies of the first and second Acts from the original MS.
"I am not coming to England; but going to Rome in a few days. I return to Venice in _June_; so, pray, address all letters, &c. to me here, as usual, that is, to Venice. Dr. Polidori this day left this city with Lord G * * for England. He is charged with some books to your care (from me), and two miniatures also to the same address, both for my sister.
"Recollect not to publish, upon pain of I know not what, until I have tried again at the third Act. I am not sure that I shall try, and still less that I shall succeed, if I do; but I am very sure, that (as it is) it is unfit for publication or perusal; and unless I can make it out to my own satisfaction, I won't have any part published.
"I write in haste, and after having lately written very often. Yours," &c.
* * * * *
LETTER 276. TO MR. MURRAY.
"Foligno, April 26. 1817.
"I wrote to you the other day from Florence, inclosing a MS. entitled 'The Lament of Tasso.' It was written in consequence of my having been lately at Ferrara. In the last section of this MS. but one (that is, the penultimate), I think that I have omitted a line in the copy sent to you from Florence, viz. after the line--
"And woo compassion to a blighted name,
insert,
"Sealing the sentence which my foes proclaim.
The context will show you the sense, which is not clear in this quotation. _Remember, I write this in the supposition that you have received my Florentine packet._
"At Florence I remained but a day, having a hurry for Rome, to which I am thus far advanced. However, I went to the two galleries, from which one returns drunk with beauty. The Venus is more for admiration than love; but there are sculpture and painting, which for the first time at all gave me an idea of what people mean by their cant, and what Mr. Braham calls 'entusimusy' (_i.e._ enthusiasm) about those two most artificial of the arts. What struck me most were, the mistress of Raphael, a portrait; the mistress of Titian, a portrait; a Venus of Titian in the Medici gallery--the Venus; Canova's Venus also in the other gallery: Titian's mistress is also in the other gallery (that is, in the Pitti Palace gallery): the Parc? of Michael Angelo, a picture: and the Antinous, the Alexander, and one or two not very decent groups in marble; the Genius of Death, a sleeping figure, &c. &c.
"I also went to the Medici chapel--fine frippery in great slabs of various expensive stones, to commemorate fifty rotten and forgotten carcasses. It is unfinished, and will remain so.
"The church of 'Santa Croce' contains much illustrious nothing. The tombs of Machiavelli, Michael Angelo, Galileo Galilei, and Alfieri, make it the Westminster Abbey of Italy. I did not admire any of these tombs--beyond their contents. That of
Continue reading on your phone by scaning this QR Code

 / 123
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.