but did not recover his perceptions enough to make any sign of gratitude before the carriage passed on. He had all a boy's shyness about the adventure; but perhaps it served to quicken the personal loyalty which is an unfailing characteristic of 'Eton fellows.'
The Royal custom of the Sunday afternoon parade on the terrace of Windsor Castle for the benefit of the gazing public afforded a fine opportunity for cultivating this sentiment, and Coley sends an amusingly minute description of her Majesty's dress, evidently studied for his mother's benefit, even to the pink tips of her four long ostrich feathers, and calling to mind Chalon's water-colours of the Queen in her early youth. He finishes the description with a quaint little bit of moralising. 'It certainly is very beautiful with two bands playing on a calm, blessed Sunday evening, with the Queen of England and all her retinue walking about. It gives you an idea of the Majesty of God, who could in one short second turn it all into confusion. There is nothing to me more beautiful than the raising one's eyes to Heaven, and thinking with adoration who made this scene, and who could unmake it again.'
A few days later the record is of a very different scene, namely, Windsor Fair, when the Eton boys used to imagine they had a prescriptive right to make a riot and revel in the charms of misrule.
'On the second day the Eton fellows always make an immense row. So at the signal, when a thing was acting, the boys rushed in and pulled down the curtain, and commenced the row. I am happy to say I was not there. There were a great many soldiers there, and they all took our part. The alarm was given, and the police came. Then there was such a rush at the police. Some of them tumbled over, and the rest were half-knocked down. At last they took in custody three of our boys, upon which every boy that was there (amounting to about 450) was summoned. They burst open the door, knocked down the police, and rescued our boys. Meantime the boys kept on shying rotten eggs and crackers, and there was nothing but righting and rushing.'
A startling description! But this was nothing to the wild pranks that lived in the traditions of the elder generation; and in a few years more the boys were debarred from the mischievous licence of the fair.
Coley had now been nearly a year at Eton, and had proceeded through the lower and middle removes of the fourth form, when, on November 23, he achieved the success of which he thus writes:--
'Rejoice! I was sent up for good yesterday at eleven o'clock school. I do not know what copy of verses for yet, but directly I do, I will send you a copy.... Goodford, when I took my ticket to be signed (for I was obliged to get Goodford, Abraham, and my tutor to sign it), said, "I will sign it most willingly," and then kept on stroking my hand, and said, "I congratulate you most heartily, and am very glad of it." I am the only one who is sent up; which is a good thing for me, as it will give me forty or fifty good marks in trials. I am so splitting with joy you cannot think, because now I have given you some proof that I have been lately sapping and doing pretty well. Do not, think that I am praising myself, for I am pretty nearly beside myself, you may suppose.'
One of his cousins adds, on the same sheet: 'I must tell you it is very difficult to be sent up in the upper fourth form, and still more so in the middle remove.'
The subject of the Latin verses which obtained this distinction was a wreath or garland, and there must have been something remarkable in them, for Mr. Abraham preserved a copy of them for many years. There was something in the sweetness and docility of the boy, and in the expression of his calm, gentle face, that always greatly interested the masters and made them rejoice in his success; and among his comrades he was a universal favourite. His brother joined him at Eton during the ensuing year, when the Queen's wedding afforded the boys another glimpse of Royal festivity. Their tumultuous loyalty and audacity appear in Coley's letter:--
'In college, stretching from Hexter's to Mother Spier's was a magnificent representation of the Parthenon: there were three pillars, and a great thing like this (a not over-successful sketch of a pediment), with the Eton and Royal arms in the middle, and "Gratulatur Etona Victoria et Alberto" It cost ��150, and there were 5,000 lamps hung on it. Throughout the whole day we all
![](qr/4607/7.png)
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.