Life of Her Most Gracious Majesty Queen Victoria, vol 1 | Page 6

enable the future Queen of England to be born in her own dominions. It was by the help of private friends that the Duke gratified his natural and wise wish.
Apartments in Kensington Palace were assigned to the couple. The old queen had died at Kew, surrounded by such of her daughters as were in the country, and by several of her sons, in the month of November, 1818. George III. was dragging out his days at Windsor. The Prince Regent occupied Carlton House.
The Kensington of 1819 was not the Kensington of today. In spite of the palace and gardens, which are comparatively little altered, the great crowded quarter, with its Museum and Albert Hall, is as unlike as possible to the courtly village to which the Duke and Duchess of Kent came, and where the Queen spent her youth. That Kensington consisted mainly of a fine old square, built in the time of James II., in which the foreign ambassadors and the bishops in attendance at Court congregated in the days of William and Mary, and Anne, and of a few terraces and blocks of buildings scattered along the Great Western Road, where coaches passed several times a day. Other centres round which smaller buildings clustered were Kensington House--which had lately been a school for the sons of French emigres of rank--the old church, and Holland House, the fine seat of the Riches and the Foxes. The High Street extended a very little way on each side of the church and was best known by its Charity School, and its pastrycook's shop, at the sign of the "Pineapple," to which Queen Caroline had graciously given her own recipe for royal Dutch gingerbread. David Wilkie's apartments represented the solitary studio. Nightingales sang in Holland Lane; blackbirds and thrushes haunted the nurseries and orchards. Great vegetable-gardens met the fields. Here and there stood an old country house in its own grounds. Green lanes led but to more rural villages, farms and manor-houses. Notting Barns was a farmhouse on the site of Notting Hill. In the tea-gardens at Bayswater Sir John Hill cultivated medicinal plants, and prepared his "water-dock essence" and "balm of honey." Invalids frequented Kensington Gravel pits for the benefit of "the sweet country air."
Kensington Palace had been bought by William III. from Daniel Finch, second Earl of Nottingham. His father, the first Earl, had built and named the pile of brick-building Nottingham House. It was comparatively a new, trim house, though Evelyn called it "patched up" when it passed into the hands of King William, and as such might please his Dutch taste better than the beautiful Elizabethan Holland House--in spite of the name, at which he is said to have looked, with the intention of making it his residence.
The Duke of Sussex, as well as the Duke and Duchess of Kent, had apartments in the palace. He dwelt in the portion of the southern front understood to belong to the original building. His brother and sister-in-law were lodged not far off, but their apartments formed part of an addition made by King William, who employed Sir Christopher Wren as his architect.
The clumsy, homely structure, with its three courts--the Clock Court, the Princes' Court, and the Princesses' Court--had many interesting associations in addition to its air of venerable respectability. William and Mary resided frequently in the palace which they had chosen; and both died under its roof. Mary sat up in one of these rooms, on a dreary December night in 1694, after she felt herself stricken with small-pox, seeking out and burning all the papers in her possession which might compromise others. The silent, asthmatic, indomitable little man was carried back here after his fall from his horse eight years later, to draw his last breath where Mary had laid down her crown. Here Anne sat, with her fan in her mouth, speaking in monosyllables to her circle. George I.'s chief connection with Kensington Palace was building the cupola and the great staircase. But his successors, George II. and Queen Caroline, atoned for the deficiency. They gave much of their time to the palace so identified with the Protestant and Hanoverian line of succession. Queen Caroline especially showed her regard for the spot by exercising her taste in beautifying it according to the notions of the period. It was she who caused the string of ponds to be united so as to form the Serpentine; and he modified the Dutch style of the gardens, abolishing the clipped monsters in yew and box, and introducing wildernesses and groves to relieve the stiffness and monotony of straight walks and hedges. The shades of her beautiful maids of honour, "sweet Molly Lepell," Mary Bellenden, and Sophy Howe, still haunt the Broad Walk. Molly Lepell's husband, Lord Hervey (the "Lord Fanny" of lampoons