Life of Her Most Gracious Majesty Queen Victoria, vol 1 | Page 3

at Almack's. An anonymous novel of the day, full of society scandal and satire, described the despotic sway of the lady patronesses, the struggles and intrigues for vouchers, and the distinguished crowd when the object was obtained. The earlier hours, alas! only gave longer time for the drinking habits of the Regency.
It is a little difficult to understand what young people did with themselves in the country when lawn-tennis and croquet were not. There was archery for the few, and a good deal more amateur gardening and walking, with field-sports, of course, for the lads.
The theatre in 1819 was more popular than it showed itself twenty years later. Every country town of any pretensions, in addition to its assembly rooms had its theatre, which reared good actors, to which provincial tours brought London stars. Genteel comedy was not past its perfection. Adaptations of the Waverley novels, with musical dramas and melodramas, drew great houses. Miss O'Neill had just retired, but Ellen Tree was making a success, and Macready was already distinguished in his profession. Still the excellence and prestige of the stage had declined incontestably since the days of Mrs. Siddons and John Kemble. Edmund Kean, though he did much for tragedy, had a short time to do it in, and was not equal in his passion of genius to the sustained majesty of the sister and brother.
In the same way, the painters' art hovered on the borders of a brilliant epoch. For Lawrence, with his courtly brush, which preferred flattery to truth and cloying suavity to noble simplicity, was not worthy to be named in the same breath with Reynolds. Raeburn came nearer, but his reputation was Scotch. Blake in his inspiration was regarded, not without reason, as a madman. Flaxman called for classic taste to appreciate him; and the fame of English art would have suffered both at home and abroad if a simple, manly lad had not quitted a Scotch manse and sailed from Leith to London, bringing with him indelible memories of the humour and the pathos of peasant life, and reproducing them with such graphic fidelity, power, and tenderness that the whole world has heard of David Wilkie.
The pause between sunset and sunrise, the interregnum which signifies that a phase in some department of the world's history has passed away as a day is done, and a new development of human experience is about to present itself, was over in literature. The romantic period had succeeded the classic. Scott, Coleridge, Southey (Wordsworth stands alone), Byron, Shelley, Keats, Campbell, Moore, were all in the field as poets, carrying the young world with them, and replacing their immediate predecessors, Cowper, Thompson, Young, Beattie, and others of less note.
Sir Walter Scott had also risen high above the horizon as a poet, and still higher as a novelist.
A great start in periodical literature was made in 1802 by the establishment of _The Edinburgh Review_, under Jeffrey and Sydney Smith, and again in 1817 by the publication of _Blackmoods Magazine_, with Christopher North for its editor, and Lockhart, De Quincey, Hogg, and Delta among its earlier contributors. The people's friend, Charles Knight, was still editing The Windsor and Eton Express.
In 1819 Sir Humphry Davy was the most popular exponent of science, Sir James Mackintosh of philosophy. In politics, above the thunderstorm of discontent, there was again the pause which anticipates a fresh advance. The great Whig and Tory statesmen, Charles James Fox and William Pitt, were dead in 1806, and their mantles did not fall immediately on fit successors. The abolition of the slave-trade, for which Wilberforce, Zachary Macaulay, and Clarkson had fought gallantly and devotedly, was accomplished. But the Catholic Emancipation Bill was still to work its way in the teeth of bitter "No Popery" traditions, and Earl Grey's Reform Bill had not yet seen the light.
George III.'s long reign was drawing to a close. What changes it had seen from the War of American Independence to Waterloo! What woeful personal contrasts since the honest, kindly, comely lad, in his simple kingliness, rode out in the summer sunshine past Holland House, where lady Sarah Lennox was making hay on the lawn, to the days when the blind, mad old king sat in bodily and mental darkness, isolated from the wife and children he had loved so well, immured in his distant palace-rooms in royal Windsor.
His silver beard o'er a bosom spread Unvexed by life's commotion, Like a yearly lengthening snow-drift shed On the calm of a frozen ocean:
Still o'er him oblivion's waters lay, Though the stream of time kept flowing When they spoke of our King, 'twas but to say That the old man's strength was going.
At intervals thus the waves disgorge, By weakness rent asunder, A piece of the wreck of the Royal George For the people's pity