Life of Harriet Beecher Stowe | Page 7

she would have been only a conscientious bigot. This image, however, gave softness and warmth to her religious life, and I have since noticed how her Christ-enthusiasm has sprung up in the hearts of all her children."
In writing to her old home of her first impressions of her new one, Mrs. Beecher says: "It is a very lovely family, and with heartfelt gratitude I observed how cheerful and healthy they were. The sentiment is greatly increased, since I perceive them to be of agreeable habits and some of them of uncommon intellect."
This new mother proved to be indeed all that the name implies to her husband's children, and never did they have occasion to call her aught other than blessed.
Another year finds a new baby brother, Frederick by name, added to the family. At this time too we catch a characteristic glimpse of Harriet in one of her sister Catherine's letters. She says: "Last week we interred Tom junior with funeral honors by the side of old Tom of happy memory. Our Harriet is chief mourner always at their funerals. She asked for what she called an epithet for the gravestone of Tom junior, which I gave as follows:--
"Here lies our Kit, Who had a fit, And acted queer, Shot with a gun, Her race is run, And she lies here."
In June, 1820, little Frederick died from scarlet fever, and Harriet was seized with a violent attack of the same dread disease; but, after a severe struggle, recovered.
Following her happy, hearty child-life, we find her tramping through the woods or going on fishing excursions with her brothers, sitting thoughtfully in her father's study, listening eagerly to the animated theological discussions of the day, visiting her grandmother at Nut Plains, and figuring as one of the brightest scholars in the Litchfield Academy, taught by Mr. John Brace and Miss Pierce. When she was eleven years old her brother Edward wrote of her: "Harriet reads everything she can lay hands on, and sews and knits diligently."
At this time she was no longer the youngest girl of the family, for another sister (Isabella) had been born in 1822. This event served greatly to mature her, as she was intrusted with much of the care of the baby out of school hours. It was not, however, allowed to interfere in any way with her studies, and, under the skillful direction of her beloved teachers, she seemed to absorb knowledge with every sense. She herself writes: "Much of the training and inspiration of my early days consisted not in the things that I was supposed to be studying, but in hearing, while seated unnoticed at my desk, the conversation of Mr. Brace with the older classes. There, from hour to hour, I listened with eager ears to historical criticisms and discussions, or to recitations in such works as Paley's Moral Philosophy, Blair's Rhetoric, Allison on Taste, all full of most awakening suggestions to my thoughts.
"Mr. Brace exceeded all teachers I ever knew in the faculty of teaching composition. The constant excitement in which he kept the minds of his pupils, the wide and varied regions of thought into which he led them, formed a preparation for composition, the main requisite for which is to have something which one feels interested to say."
In her tenth year Harriet began what to her was the fascinating work of writing compositions, and so rapidly did she progress that at the school exhibition held when she was twelve years old, hers was one of the two or three essays selected to be read aloud before the august assembly of visitors attracted by the occasion.
Of this event Mrs. Stowe writes: "I remember well the scene at that exhibition, to me so eventful. The hall was crowded with all the literati of Litchfield. Before them all our compositions were read aloud. When mine was read I noticed that father, who was sitting on high by Mr. Brace, brightened and looked interested, and at the close I heard him ask, 'Who wrote that composition?' 'Your daughter, sir,' was the answer. It was the proudest moment of my life. There was no mistaking father's face when he was pleased, and to have interested him was past all juvenile triumphs."
That composition has been carefully preserved, and on the old yellow sheets the cramped childish hand-writing is still distinctly legible. As the first literary production of one who afterwards attained such distinction as a writer, it is deemed of sufficient value and interest to be embodied in this biography exactly as it was written and read sixty-five years ago. The subject was certainly a grave one to be handled by a child of twelve.
CAN THE IMMORTALITY OF THE SOUL BE PROVED BY THE LIGHT OF NATURE?
It has justly been concluded by the philosophers of every age