No sentimental consideration of a grateful country would have moved Jonesville to philanthropy; it sent its paupers to the Poor Farm with prompt common sense.
When Jonesville's old school-teacher, Mr. Nathaniel May, came wandering back from the great world, quite penniless, almost blind, and with a faint mist across his pleasant mind, Jonesville saw nothing for him but the Poor Farm.... Nathaniel had been away from home for many years; rumors came back, occasionally, that he was going to make his fortune by some patent, and Jonesville said that if he did it would be a good thing for the town, for Nathaniel wasn't one to forget his friends. "He'll give us a library," said Jonesville, grinning; "Nat was a great un for books." However, Jonesville was still without its library, when, one August day, the stage dropped a gentle, forlorn figure at the door of Dyer's Hotel.
"I'm Nat May," he said; "well, it's good to get home!"
He brought with him, as the sum of his possessions, a dilapidated leather hand-bag full of strange wheels and little reflectors, and small, scratched lenses; the poor clothes upon his back; and twenty-four cents in his pocket. He walked hesitatingly, with one hand outstretched to feel his way, for he was nearly blind; but he recognized old friends by their voices, and was full of simple joy at meeting them.
"I have a very wonderful invention," he said, in his eager voice, his blind eyes wide and luminous; "and very valuable. But I have not been financially successful, so far. I shall be, of course. But in the city no one seemed willing to wait for payment for my board, so the authorities advised me to come home; and, in fact, assisted me to do so. But when I finish my invention, I shall have ample means."
Jonesville, lounging on the porch of Dyer's Hotel, grinned, and said, "That's all right, Nat; you'll be a rich man one of these days!" And then it tapped its forehead significantly, and whispered, "Too bad!" and added (with ill-concealed pleasure at finding new misfortune to talk about) that the Selectmen had told Mr. Dean, the superintendent, that he could call at Dyer's Hotel--to which Nathaniel, peacefully and pennilessly, had drifted--and take him out to the Farm.
"Sam Dyer says he'll keep him till next week," Mrs. Butterfield told Lizzie Graham; "but, course, he can't just let him set down at the hotel for the rest of his natural life. And Nat May would do it, you know."
"I believe he would," Lizzie Graham admitted; "he was always kind of simple that way, willin' to take and willin' to give. Don't you mind how he used to be always sharin' anything he had? James used to say Nat never knowed his own things belonged to him."
"Folks like that don't never get rich," Mrs. Butterfield said; "but there! you like 'em."
The two women were walking down a stony hillside, each with a lard-pail full of blueberries. It was a hot August afternoon; a northwest wind, harsh and dry, tore fiercely across the scrub-pines and twinkling birches of the sun-baked pastures. Lizzie Graham held on to her sun-bonnet, and stopped in a scrap of shade under a meagre oak to get breath.
"My! I don't like wind," she said, laughing.
"Let's set down a while," Mrs. Butterfield suggested.
"I'd just as leaves," Lizzie said, and took off her blue sunbonnet and fanned herself. She was a pretty woman still, though she was nearly fifty; her hair was russet red, and blew about her forehead in little curls; her eyes, brown like a brook in shady places, and kind. It was a mild face, but not weak. Below them the valley shimmered in the heat; the grass was hot and brittle underfoot; popples bent and twisted in a scorching wind, and a soft, dark glitter of movement ran through the pines on the opposite hillside.
"The Farm ain't got a mite of shade round it," Lizzie said; "just sets there at the crossroads and bakes."
"You was always great for trees," Mrs. Butterfield said; "your house is too dark for my taste. If I was you, I'd cut down that biggest ellum."
"Cut it down! Well, I suppose you'll laugh, but them trees are real kind o' friends. There! I knowed you'd laugh; but I wouldn't cut down a tree any more 'an I'd--I don't know what!"
"They do darken."
"Some. But only in summer; and then you want 'em to. And the Poor Farm ain't got a scrap of shade!--I wonder if he feels it, bein' sent there?"
"I ain't seen, him, but Josh, told me he was terrible broke up over it. Told me he just set and wrung his hands when Hiram Wells told him he'd got to go. Josh said it was real pitiful. But what can you do? He's
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