be resisted, or to be postponed for a problematic pleasure.
The very atmosphere which surrounded the young girl, and which she soon learned to breathe in deep, pleasurable draughts, was surcharged with the intoxicating oxygen of freedom of action, liberality, and unrestrained enjoyment. While still very young she was introduced into a select society of the choicest spirits of the age and speedily became their idol, a position she continued to occupy without diminution for over sixty years. No one of all these men of the world had ever seen so many personal graces united to so much intellectuality and good taste. Ninon's form was as symmetrical, elegant and yielding as a willow; her complexion of a dazzling white, with large sparkling eyes as black as midnight, and in which reigned modesty and love, and reason and voluptuousness. Her teeth were like pearls, her mouth mobile and her smile most captivating, resistless and adorable. She was the personification of majesty without pride or haughtiness, and possessed an open, tender and touching countenance upon which shone friendship and affection. Her voice was soft and silvery, her arms and hands superb models for a sculptor, and all her movements and gestures manifested an exquisite, natural grace which made her conspicuous in the most crowded drawing-room. As she was in her youth, so she continued to be until her death at the age of ninety years, an incredible fact but so well attested by the gravest and most reliable writers, who testify to the truth of it, that there is no room for doubt. Ninon attributed it not to any miracle, but to her philosophy, and declared that any one might exhibit the same peculiarities by following the same precepts. We have it on the most undoubted testimony of contemporaneous writers, who were intimate with him, that one of her dearest friends and followers, Saint-Evremond, at the age of eighty-nine years, inspired one of the famous beauties of the English Court with an ardent attachment.
The beauties of her person were so far developed at the age of twelve years, that she was the object of the most immoderate admiration on the part of men of the greatest renown, and her beauty is embalmed in their works either as a model for the world, or she is enshrined in song, poetry, and romance as the heroine.
In fact Ninon had as tutors the most distinguished men of the age, who vied with one another in embellishing her young mind with all the graces, learning and accomplishments possible for the human mind to contain. Her native brightness and active mind absorbed everything with an almost supernatural rapidity and tact, and it was not long before she became their peer, and her qualities of mind reached out so far beyond theirs in its insatiable longing, that she, in her turn, became their tutor, adviser and consoler, as well as their tender friend.
CHAPTER IV
The Morals of the Period
Examples of the precocious talents displayed by Mademoiselle de l'Enclos are not uncommon in the twentieth century, but the application she made of them was remarkable and uncommon. Accomplished in music, learned and proficient in the languages, a philosopher of no small degree, and of a personal beauty sometimes called "beaut�� de diable," she appeared upon the social stage at a time when a new idol was an imperative necessity for the salvation of moral sanity, and the preservation of some remnants of personal decency in the sexual relations.
Cardinal Richelieu had just succeeded in consolidating the usurpations of the royal prerogatives on the rights of the nobility and the people, which had been silently advancing during the preceding reigns, and was followed by the long period of unexampled misgovernment, which oppressed and impoverished as well as degraded every rank and every order of men in the French kingdom, ceasing only with the Revolution.
The great Cardinal minister had built worse than he had intended, it is to be hoped; for his clerico-political system had practically destroyed French manhood, and left society without a guiding star to cement the rope of sand he had spun. Unable to subject the master minds among the nobility to its domination, ecclesiasticism had succeeded in destroying them by augmenting royal prerogatives which it could control with less difficulty. Public maxims of government, connected as they were with private morals, had debauched the nation, and plunged it into a depth of degradation out of which Richelieu and his whole entourage of clerical reformers could not extricate a single individual. It was a riot of theological morality.
The whole body of the French nobility and the middle class of citizens were reduced to a servile attendance on the court, as the only means of advancement and reward. Every species of industry and merit in these classes was sedulously discouraged; and the
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