Letters to His Son 1752 | Page 7

carefully bred up to that particular destination, to which they seem to have a natural turn; for which reason one sees most Jesuits excel in some particular thing. They even breed up some for martyrdom in case of need; as the superior of a Jesuit seminary at Rome told Lord Bolingbroke. 'E abbiamo anche martiri per il martirio, se bisogna'.
Inform yourself minutely of everything concerning this extraordinary establishment; go into their houses, get acquainted with individuals, hear some of them preach. The finest preacher I ever heard in my life is le Pere Neufville, who, I believe, preaches still at Paris, and is so much in the best company, that you may easily get personally acquainted with him.
If you would know their 'morale' read Pascal's 'Lettres Provinciales', in which it is very truly displayed from their own writings.
Upon the whole, this is certain, that a society of which so little good is said, and so much ill believed, and that still not only subsists, but flourishes, must be a very able one. It is always mentioned as a proof of the superior abilities of the Cardinal Richelieu, that, though hated by all the nation, and still more by his master, he kept his power in spite of both.
I would earnestly wish you to do everything now, which I wish, that I had done at your age, and did not do. Every country has its peculiarities, which one can be much better informed of during one's residence there, than by reading all the books in the world afterward. While you are in Catholic countries, inform yourself of all the forms and ceremonies of that tawdry church; see their converts both of men and women, know their several rules and orders, attend their most remarkable ceremonies; have their terms of art explained to you, their 'tierce, sexte, nones, matines; vepres, complies'; their 'breviares, rosaires, heures, chapelets, agnus', etc., things that many people talk of from habit, though few people know the true meaning of anyone of them. Converse with, and study the characters of some of those incarcerated enthusiasts. Frequent some 'parloirs', and see the air and manners of those Recluse, who are a distinct nation themselves, and like no other.
I dined yesterday with Mrs. F----d, her mother and husband. He is an athletic Hibernian, handsome in his person, but excessively awkward and vulgar in his air and manner. She inquired much after you, and, I thought, with interest. I answered her as a 'Mezzano' should do: 'Et je pronai votre tendresse, vos soins, et vos soupirs'.
When you meet with any British returning to their own country, pray send me by them any little 'brochures, factums, theses', etc., 'qui font du bruit ou du plaisir a Paris'. Adieu, child.

LETTER CLVII
LONDON, January 23, O. S. 1752.
MY DEAR FRIEND: Have you seen the new tragedy of Varon,--[Written by the Vicomte de Grave; and at that time the general topic of conversation at Paris.]--and what do you think of it? Let me know, for I am determined to form my taste upon yours. I hear that the situations and incidents are well brought on, and the catastrophe unexpected and surprising, but the verses bad. I suppose it is the subject of all conversations at Paris, where both women and men are judges and critics of all such performances; such conversations, that both form and improve the taste, and whet the judgment; are surely preferable to the conversations of our mixed companies here; which, if they happen to rise above bragg and whist, infallibly stop short of everything either pleasing or instructive.
I take the reason of this to be, that (as women generally give the 'ton' to the conversation) our English women are not near so well informed and cultivated as the French; besides that they are naturally more serious and silent.
I could wish there were a treaty made between the French and English theatres, in which both parties should make considerable concessions. The English ought to give up their notorious violations of all the unities; and all their massacres, racks, dead bodies, and mangled carcasses, which they so frequently exhibit upon their stage. The French should engage to have more action and less declamation; and not to cram and crowd things together, to almost a degree of impossibility, from a too scrupulous adherence to the unities. The English should restrain the licentiousness of their poets, and the French enlarge the liberty of theirs; their poets are the greatest slaves in their country, and that is a bold word; ours are the most tumultuous subjects in England, and that is saying a good deal. Under such regulations one might hope to see a play in which one should not be lulled to sleep by the length of a monotonical declamation, nor frightened and shocked by the