Letters on Literature | Page 8

Andrew Lang
the regular way. The first was "Poems, by Robert Bridges, Batchelor of Arts in the University of Oxford. Parva seges satis est. London: Pickering, 1873."
This volume was presently, I fancy, withdrawn, and the author has distributed some portions of it in succeeding pamphlets, or in books printed at Mr. Daniel's private press in Oxford. In these, as in all Mr. Bridges's poems, there is a certain austere and indifferent beauty of diction and a memory of the old English poets, Milton and the earlier lyrists. I remember being greatly pleased with the "Elegy on a Lady whom Grief for the Death of Her Betrothed Killed."
"Let the priests go before, arrayed in white, And let the dark-stoled minstrels follow slow Next they that bear her, honoured on this night, And then the maidens in a double row, Each singing soft and low, And each on high a torch upstaying: Unto her lover lead her forth with light, With music and with singing, and with praying."
This is a stately stanza.
In his first volume Mr. Bridges offered a few rondeaux and triolets, turning his back on all these things as soon as they became popular. In spite of their popularity I have the audacity to like them still, in their humble twittering way. Much more in his true vein were the lines, "Clear and Gentle Stream," and all the other verses in which, like a true Etonian, he celebrates the beautiful Thames:
"There is a hill beside the silver Thames, Shady with birch and beech and odorous pine, And brilliant under foot with thousand gems Steeply the thickets to his floods decline. Straight trees in every place Their thick tops interlace, And pendent branches trail their foliage fine Upon his watery face.
* * *
A reedy island guards the sacred bower And hides it from the meadow, where in peace The lazy cows wrench many a scented flower, Robbing the golden market of the bees. And laden branches float By banks of myosote; And scented flag and golden fleur-de-lys Delay the loitering boat."
I cannot say how often I have read that poem, and how delightfully it carries the breath of our River through the London smoke. Nor less welcome are the two poems on spring, the "Invitation to the Country," and the "Reply." In these, besides their verbal beauty and their charming pictures, is a manly philosophy of Life, which animates Mr. Bridges's more important pieces--his "Prometheus the Firebringer," and his "Nero," a tragedy remarkable for the representation of Nero himself, the luxurious human tiger. From "Prometheus" I make a short extract, to show the quality of Mr. Bridges's blank verse:
"Nor is there any spirit on earth astir, Nor 'neath the airy vault, nor yet beyond In any dweller in far-reaching space Nobler or dearer than the spirit of man: That spirit which lives in each and will not die, That wooeth beauty, and for all good things Urgeth a voice, or still in passion sigheth, And where he loveth, draweth the heart with him."
Mr. Bridges's latest book is his "Eros and Psyche" (Bell & Sons, who publish the "Prometheus"). It is the old story very closely followed, and beautifully retold, with a hundred memories of ancient poets: Homer, Dante, Theocritus, as well as of Apuleius.
I have named Mr. Bridges here because his poems are probably all but unknown to readers well acquainted with many other English writers of late days. On them, especially on actual contemporaries or juniors in age, it would be almost impertinent for me to speak to you; but, even at that risk, I take the chance of directing you to the poetry of Mr. Bridges. I owe so much pleasure to its delicate air, that, if speech be impertinence, silence were ingratitude. {2}

FIELDING

To Mrs. Goodhart, in the Upper Mississippi Valley.
Dear Madam,--Many thanks for the New York newspaper you have kindly sent me, with the statistics of book-buying in the Upper Mississippi Valley. Those are interesting particulars which tell one so much about the taste of a community.
So the Rev. E. P. Roe is your favourite novelist there; a thousand of his books are sold for every two copies of the works of Henry Fielding? This appears to me to speak but oddly for taste in the Upper Mississippi Valley. On Mr. Roe's works I have no criticism to pass, for I have not read them carefully.
But I do think your neighbours lose a great deal by neglecting Henry Fielding. You will tell me he is coarse (which I cannot deny); you will remind me of what Dr. Johnson said, rebuking Mrs. Hannah More. "I never saw Johnson really angry with me but once," writes that sainted maiden lady. "I alluded to some witty passage in 'Tom Jones.'" He replied: "I am shocked to hear you quote from so vicious a
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