Legends of Charlemagne | Page 4

Thomas Bulfinch
arranged in order, adorned with the embellishments of fancy, amplified from their own invention, and stamped with immortality. It may safely be asserted that as long as civilization shall endure these productions will retain their place among the most cherished creations of human genius.
In "Stories of Gods and Heroes," "King Arthur and His Knights" and "The Mabinogeon" the aim has been to supply to the modern reader such knowledge of the fables of classical and mediaeval literature as is needed to render intelligible the allusions which occur in reading and conversation. The "Legends of Charlemagne" is intended to carry out the same design. Like the earlier portions of the work, it aspires to a higher character than that of a piece of mere amusement. It claims to be useful, in acquainting its readers with the subjects of the productions of the great poets of Italy. Some knowledge of these is expected of every well-educated young person.
In reading these romances, we cannot fail to observe how the primitive inventions have been used, again and again, by successive generations of fabulists. The Siren of Ulysses is the prototype of the Siren of Orlando, and the character of Circe reappears in Alcina. The fountains of Love and Hatred may be traced to the story of Cupid and Psyche; and similar effects produced by a magic draught appear in the tale of Tristram and Isoude, and, substituting a flower for the draught, in Shakspeare's "Midsummer Night's Dream." There are many other instances of the same kind which the reader will recognize without our assistance.
The sources whence we derive these stories are, first, the Italian poets named above; next, the "Romans de Chevalerie" of the Comte de Tressan; lastly, certain German collections of popular tales. Some chapters have been borrowed from Leigh Hunt's Translations from the Italian Poets. It seemed unnecessary to do over again what he had already done so well; yet, on the other hand, those stories could not be omitted from the series without leaving it incomplete.
THOMAS BULFINCH.

CONTENTS
LEGENDS OF CHARLEMAGNE
Introduction The Peers, or Paladins The Tournament The Siege of Albracca Adventures of Rinaldo and Orlando The Invasion of France The Invasion of France (Continued)
Bradamante and Rogero Astolpho and the Enchantress The Orc Astolpho's Adventures continued, and Isabella's begun. Medoro Orlando Mad Zerbino and Isabella Astolpho in Abyssinia The War in Africa Rogero and Bradamante The Battle of Roncesvalles Rinaldo and Bayard Death of Rinaldo Huon of Bordeaux Huon of Bordeaux (Continued) Huon of Bordeaux (Continued) Ogier, the Dane Ogier, the Dane (Continued) Ogier, the Dane (Continued)
GLOSSARY

LEGENDS OF CHARLEMAGNE

INTRODUCTION
Those who have investigated the origin of the romantic fables relating to Charlemagne and his peers are of opinion that the deeds of Charles Martel, and perhaps of other Charleses, have been blended in popular tradition with those properly belonging to Charlemagne. It was indeed a most momentous era; and if our readers will have patience, before entering on the perusal of the fabulous annals which we are about to lay before them, to take a rapid survey of the real history of the times, they will find it hardly less romantic than the tales of the poets.
In the century beginning from the year 600, the countries bordering upon the native land of our Saviour, to the east and south, had not yet received his religion. Arabia was the seat of an idolatrous religion resembling that of the ancient Persians, who worshipped the sun, moon, and stars. In Mecca, in the year 571, Mahomet was born, and here, at the age of forty, he proclaimed himself the prophet of God, in dignity as superior to Christ as Christ had been to Moses. Having obtained by slow degrees a considerable number of disciples, he resorted to arms to diffuse his religion. The energy and zeal of his followers, aided by the weakness of the neighboring nations, enabled him and his successors to spread the sway of Arabia and the religion of Mahomet over the countries to the east as far as the Indus, northward over Persia and Asia Minor, westward over Egypt and the southern shores of the Mediterranean, and thence over the principal portion of Spain. All this was done within one hundred years from the Hegira, or flight of Mahomet from Mecca to Medina, which happened in the year 622, and is the era from which Mahometans reckon time, as we do from the birth of Christ.
From Spain the way was open for the Saracens (so the followers of Mahomet were called) into France, the conquest of which, if achieved, would have been followed very probably by that of all the rest of Europe, and would have resulted in the banishment of Christianity from the earth. For Christianity was not at that day universally professed, even by those nations which we now regard as
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