Later Poems and Flower of the Mind | Page 3

Alice Meynell
when displayed, is clearly readable, and
does *not* contain characters other than those?intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the?author, and additional characters may be used to?indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the
net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each?date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
This etext was prepared by David Price, email [email protected] from the 1893 Grant Richards edition of The Flower of the Mind and the 1902 John Lane edition of Later Poems.
THE FLOWER OF THE MIND
INTRODUCTION
Partial collections of English poems, decided by a common subject or bounded by narrow dates and periods of literary history, are made at very short intervals, and the makers are safe from the reproach of proposing their own personal taste as a guide for the reading of others. But a general Anthology gathered from the whole of English literature--the whole from Chaucer to Wordsworth--by a gatherer intent upon nothing except the quality of poetry, is a more rare enterprise. It is hardly to be made without tempting the suspicion--nay, hardly without seeming to hazard the confession--of some measure of self-confidence. Nor can even the desire to enter upon that labour be a frequent one--the desire of the heart of one for whom poetry is veritably "the complementary life" to set up a pale for inclusion and exclusion, to add honours, to multiply homage, to cherish, to restore, to protest, to proclaim, to depose; and to gain the consent of a multitude of readers to all those acts. Many years, then--some part of a century--may easily pass between the publication of one general anthology and the making of another.
The enterprise would be a sorry one if it were really arbitrary, and if an anthologist should give effect to passionate preferences without authority. An anthology that shall have any value must be made on the responsibility of one but on the authority of many. There is no caprice; the mind of the maker has been formed for decision by the wisdom of many instructors. It is the very study of criticism, and the grateful and profitable study, that gives the justification to work done upon the strongest personal impulse, and done, finally, in the mental solitude that cannot be escaped at the last. In another order, moral education would be best crowned if it proved to have quick and profound control over the first impulses; its finished work would be to set the soul in a state of law, delivered from the delays of self-distrust; not action only, but the desires would be in an old security, and a wish would come to light already justified. This would be the second--if it were not the only--liberty. Even so an intellectual education might assuredly confer freedom upon first and solitary thoughts, and confidence and composure upon the sallies of impetuous courage. In a word, it should make a studious anthologist quite sure about genius. And all who have bestowed, or helped in bestowing, the liberating education have given their student the authority to be free. Personal and singular the choice in such a book must be, not without right.
Claiming and disclaiming so much, the gatherers may follow one another to harvest, and glean in the same fields in different seasons, for the repetition of the work can never be altogether a repetition. The general consent of criticism does not stand still; and moreover, a mere accident has until now left a poet of genius of the past here and there to neglect or obscurity. This is not very likely to befall again; the time has come when there is little
Continue reading on your phone by scaning this QR Code

 / 18
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.