frequency with which allusions to it occur in his confidential letters to them. {21}
About three months after, under date March 10, 1817, he writes to Moore: 'I suppose now I shall never be able to shake off my sables in public imagination, more particularly since my moral ----- clove down my fame.' Again to Murray in 1819, three years after, he says: 'I never hear anything of Ada, the little Electra of Mycenae.'
Electra was the daughter of Clytemnestra, in the Greek poem, who lived to condemn her wicked mother, and to call on her brother to avenge the father. There was in this mention of Electra more than meets the ear. Many passages in Lord Byron's poetry show that he intended to make this daughter a future partisan against her mother, and explain the awful words he is stated in Lady Anne Barnard's diary to have used when first he looked on his little girl,--'What an instrument of torture I have gained in you!'
In a letter to Lord Blessington, April 6, 1823, he says, speaking of Dr. Parr:-- {22a}
'He did me the honour once to be a patron of mine, though a great friend of the other branch of the house of Atreus, and the Greek teacher, I believe, of my moral Clytemnestra. I say moral because it is true, and is so useful to the virtuous, that it enables them to do anything without the aid of an AEgistheus.'
If Lord Byron wrote this poem merely in a momentary fit of spleen, why were there so many persons evidently quite familiar with his allusions to it? and why was it preserved in Murray's hands? and why published after his death? That Byron was in the habit of reposing documents in the hands of Murray, to be used as occasion offered, is evident from a part of a note written by him to Murray respecting some verses so intrusted: 'Pray let not these versiculi go forth with my name except to the initiated.' {22b}
Murray, in publishing this attack on his wife after Lord Byron's death, showed that he believed in it, and, so believing, deemed Lady Byron a woman whose widowed state deserved neither sympathy nor delicacy of treatment. At a time when every sentiment in the heart of the most deeply wronged woman would forbid her appearing to justify herself from such cruel slander of a dead husband, an honest, kind-hearted, worthy Englishman actually thought it right and proper to give these lines to her eyes and the eyes of all the reading world. Nothing can show more plainly what this poem was written for, and how thoroughly it did its work! Considering Byron as a wronged man, Murray thought he was contributing his mite towards doing him justice. His editor prefaced the whole set of 'Domestic Pieces' with the following statements:--
'They all refer to the unhappy separation, of which the precise causes are still a mystery, and which he declared to the last were never disclosed to himself. He admitted that pecuniary embarrassments, disordered health, and dislike to family restraints had aggravated his naturally violent temper, and driven him to excesses. He suspected that his mother-in-law had fomented the discord,--which Lady Byron denies,--and that more was due to the malignant offices of a female dependant, who is the subject of the bitterly satirical sketch.
* * * *
'To these general statements can only be added the still vaguer allegations of Lady Byron, that she conceived his conduct to be the result of insanity,--that, the physician pronouncing him responsible for his actions, she could submit to them no longer, and that Dr. Lushington, her legal adviser, agreed that a reconciliation was neither proper nor possible. _No weight can be attached to the opinions of an opposing counsel upon accusations made by one party behind the back of the other, who urgently demanded and was pertinaciously refused the least opportunity of denial or defence_. He rejected the proposal for an amicable separation, but _consented when threatened with a suit in Doctors' Commons._' {23}
Neither John Murray nor any of Byron's partisans seem to have pondered the admission in these last words.
Here, as appears, was a woman, driven to the last despair, standing with her child in her arms, asking from English laws protection for herself and child against her husband.
She had appealed to the first counsel in England, and was acting under their direction.
Two of the greatest lawyers in England have pronounced that there has been such a cause of offence on his part that a return to him is neither proper nor possible, and that no alternative remains to her but separation or divorce.
He asks her to state her charges against him. She, making answer under advice of her counsel, says, 'That if he insists on the specifications, he must receive them
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