LAbbe Constantin | Page 4

for the uncertain profession of a playwright: At this period he devoted himself exclusively to the theatre.
He had already written plays as early as 1856, and had also tried his hand at fiction, but did not meet with very great success. Toward 1860, however, he became acquainted with Henri Meilhac, and with him formed a kind of literary union, lasting for almost twenty years, when Halevy rather abruptly abandoned the theatre and became a writer of fiction.
We have seen such kinds of co-partnerships, for instance, in Beaumont and Fletcher; more recently in the beautiful French tales of Erckmann- Chatrian, and still later in the English novels of Besant and Rice.
Some say it was a fortunate event for Meilhac; others assert that Halevy reaped a great profit by the union. Be this as it may, a great number of plays-drama, comedy, farce, opera, operetta and ballet--were jointly produced, as is shown by the title-pages of two score or more of their pieces. When Ludovic Halevy was a candidate for L'Academie--he entered that glorious body in 1884--the question was ventilated by Pailleron: "What was the author's literary relation in his union with Meilhac?" It was answered by M. Sarcey, who criticised the character and quality of the work achieved. Public opinion has a long time since brought in quite another verdict in the case.
Halevy's cooperation endowed the plays of Meilhac with a fuller ethical richness--tempered them, so to speak, and made them real, for it can not be denied that Meilhac was inclined to extravagance.
Halevy's novels are remarkable for the elegance of literary style, tenderness of spirit and keenness of observation. He excels in ironical sketches. He has often been compared to Eugene Sue, but his touch is lighter than Sue's, and his humor less unctuous. Most of his little sketches, originally written for La Vie Parisienne, were collected in his 'Monsieur et Madame Cardinal' (1873); and 'Les Petites Cardinal', (1880). They are not intended 'virginibus puerisque', and the author's attitude is that of a half-pitying, half-contemptuous moralist, yet the virility of his criticism has brought him immortality.
Personal recollections of the great war are to be found in 'L'Invasion' (1872); and 'Notes et Souvenirs', 1871-1872 (1889). Most extraordinary, however, was the success of 'L'Abbe Constantin' (1882), crowned by the Academy, which has gone through no less than one hundred and fifty editions up to 1904, and ranks as one of the greatest successes of contemporaneous literature. It is, indeed, his 'chef-d'oeuvre', very delicate, earnest, and at the same time ironical, a most entrancing family story. It was then that the doors of the French Academy opened wide before Halevy. 'L'Abbe Constantin' was adapted for the stage by Cremieux and Decourcelle (Le Gymnase, 1882). Further notable novels are: 'Criquette, Deux Mariages, Un Grand Mariage, Un Mariage d'Amour', all in 1883; 'Princesse, Les Trois Coups de Foudre, Mon Camarade Moussard', all in 1884; and the romances, 'Karikari (1892), and Mariette (1893)'. Since that time, I think, Halevy has not published anything of importance.
E. LEGOUVE de l'Academie Francaise.

THE ABBE CONSTANTIN
BOOK 1.

CHAPTER I
THE SALE OF LONGUEVAL
With a step still valiant and firm, an old priest walked along the dusty road in the full rays of a brilliant sun. For more than thirty years the Abbe Constantin had been Cure of the little village which slept there in the plain, on the banks of a slender stream called La Lizotte. The Abbe Constantin was walking by the wall which surrounded the park of the castle of Longueval; at last he reached the entrance-gate, which rested high and massive on two ancient pillars of stone, embrowned and gnawed by time. The Cure stopped, and mournfully regarded two immense blue posters fixed on the pillars.
The posters announced that on Wednesday, May 18, 1881, at one o'clock P.M., would take place, before the Civil Tribunal of Souvigny, the sale of the domain of Longueval, divided into four lots:
1. The castle of Longueval, its dependencies, fine pieces of water, extensive offices, park of 150 hectares in extent, completely surrounded by a wall, and traversed by the little river Lizotte. Valued at 600,000 francs.
2. The farm of Blanche-Couronne, 300 hectares, valued at 500,000 francs.
3. The farm of La Rozeraie, 250 hectares, valued at 400,000 francs.
4. The woods and forests of La Mionne, containing 450 hectares, valued at 550,000 francs.
And these four amounts, added together at the foot of the bill, gave the respectable sum of 2,050,000 francs.
Then they were really going to dismember this magnificent domain, which, escaping all mutilation, had for more than two centuries always been transmitted intact from father to son in the family of Longueval. The placards also announced that after the temporary division into four lots, it would be possible to unite them again, and offer for sale the entire domain; but it was a very large