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a copy of the memorial addressed by the heirs of Gilles de Rais to the king, notes taken from the several true copies at Paris of the proceedings in the criminal trial at Nantes, extracts from Vallet de Viriville's history of Charles VII, finally the Notice by Armand Guéraut and the biography of the abbé Bossard. These sufficed to bring before Durtal's eyes the formidable figure of that Satanic fifteenth century character who was the most artistically, exquisitely cruel, and the most scoundrelly of men.
No one knew of the projected study but Des Hermies, whom Durtal saw nearly every day.
They had met in the strangest of homes, that of Chantelouve, the Catholic historian, who boasted of receiving all classes of people. And every week in the social season that drawing-room in the rue de Bagneux was the scene of a heterogeneous gathering of under sacristans, café poets, journalists, actresses, partisans of the cause of Naundorff,[1] and dabblers in equivocal sciences.
[Footnote 1: A watchmaker who at the time of the July monarchy attempted to pass himself off for Louis XVII.]
This salon was on the edge of the clerical world, and many religious came here at the risk of their reputations. The dinners were discriminately, if unconventionally, ordered. Chantelouve, rotund, jovial, bade everyone make himself at home. Now and then through his smoked spectacles there stole an ambiguous look which might have given an analyst pause, but the man's bonhomie, quite ecclesiastical, was instantly disarming. Madame was no beauty, but possessed a certain bizarre charm and was always surrounded. She, however, remained silent and did nothing to encourage her voluble admirers. As void of prudery as her husband, she listened impassively, absently, with her thoughts evidently afar, to the boldest of conversational imprudences.
At one of these evening parties, while La Rousseil, recently converted, howled a hymn, Durtal, sitting in a corner having a quiet smoke, had been struck by the physiognomy and bearing of Des Hermies, who stood out sharply from the motley throng of defrocked priests and grubby poets packed into Chantelouve's library and drawing-room.
Among these smirking and carefully composed faces, Des Hermies, evidently a man of forceful individuality, seemed, and probably felt, singularly out of place. He was tall, slender, somewhat pale. His eyes, narrowed in a frown, had the cold blue gleam of sapphires. The nose was short and sharp, the cheeks smooth shaven. With his flaxen hair and Vandyke he might have been a Norwegian or an Englishman in not very good health. His garments were of London make, and the long, tight, wasp-waisted coat, buttoned clear up to the neck, seemed to enclose him like a box. Very careful of his person, he had a manner all his own of drawing off his gloves, rolling them up with an almost inaudible crackling, then seating himself, crossing his long, thin legs, and leaning over to the right, reaching into the patch pocket on his left side and bringing forth the embossed Japanese pouch which contained his tobacco and cigarette papers.
He was methodic, guarded, and very cold in the presence of strangers. His superior and somewhat bored attitude, not exactly relieved by his curt, dry laugh, awakened, at a first meeting, a serious antipathy which he sometimes justified by venomous words, by meaningless silences, by unspoken innuendoes. He was respected and feared at Chantelouve's, but when one came to know him one found, beneath his defensive shell, great warmth of heart and a capacity for true friendship of the kind that is not expansive but is capable of sacrifice and can always be relied upon.
How did he live? Was he rich or just comfortable? No one knew, and he, tight lipped, never spoke of his affairs. He was doctor of the Faculty of Paris--Durtal had chanced to see his diploma--but he spoke of medicine with great disdain. He said he had become convinced of the futility of all he had been taught, and had thrown it over for homeopathy, which in turn he had thrown over for a Bolognese system, and this last he was now excoriating.
There were times when Durtal could not doubt that his friend was an author, for Des Hermies spoke understandingly of tricks of the trade which one learns only after long experience, and his literary judgment was not that of a layman. When, one day, Durtal reproached him for concealing his productions, he replied with a certain melancholy, "No, I caught myself in time to choke down a base instinct, the desire of resaying what has been said. I could have plagiarized Flaubert as well as, if not better than, the poll parrots who are doing it, but I decided not to. I would rather phrase abstruse medicaments of rare application; perhaps it is not very necessary, but at least it isn't cheap."
What surprised