Kimono

John Paris

Kimono

The Project Gutenberg eBook, Kimono, by John Paris
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: Kimono
Author: John Paris
Release Date: June 5, 2004 [eBook #12527]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK KIMONO***
E-text prepared by Juliet Sutherland, Bill Hershey, and Project Gutenberg Distributed Proofreaders

KIMONO
by
JOHN PARIS
1922

CONTENTS
CHAPTER
I
AN ANGLO-JAPANESE MARRIAGE
II HONEYMOON
III EASTWARDS
IV NAGASAKI
V CHONKINA
VI ACROSS JAPAN
VII THE EMBASSY
VIII THE HALF-CASTE GIRL
IX ITO SAN
X THE YOSHIWARA WOMEN
XI A GEISHA DINNER
XII FALLEN CHERRY-BLOSSOMS
XIII THE FAMILY ALTAR
XIV THE DWARF TREES
XV EURASIA
XVI THE GREAT BUDDHA
XVII THE RAINY SEASON
XVIII AMONG THE NIKKO MOUNTAINS
XIX YA�� SMITH
XX THE KIMONO
XXI SAYONARA (GOOD-BYE)
XXII FUJINAMI ASAKO
XXIII THE REAL SHINTO
XXIV THE AUTUMN FESTIVAL
XXV JAPANESE COURTSHIP
XXVI ALONE IN TOKYO
XXVII LADY BRANDAN

_Utsutsu wo mo Utsutsu to sara ni Omowaneba, Yume wo mo yume to Nani ka omowamu?
Since I am convinced That Reality is in no way Real, How am I to admit That dreams are dreams?_
The verses and translation above are taken from A. Waley's "JAPANESE POETRY: THE UTA" (Clarendon Press), as are many of the classical poems placed at the head of the chapters.
CHAPTER I
AN ANGLO-JAPANESE MARRIAGE
_Shibukaro ka Shiranedo kaki no Hatsu-chigiri_.
Whether the fruit be bitter Or whether it be sweet, The first bite tells.
The marriage of Captain the Honourable Geoffrey Barrington and Miss Asako Fujinami was an outstanding event in the season of 1913. It was bizarre, it was picturesque, it was charming, it was socially and politically important, it was everything that could appeal to the taste of London society, which, as the season advances, is apt to become jaded by the monotonous process of Hymen in High Life and by the continued demand for costly wedding presents.
Once again Society paid for its seat at St. George's and for its glass of champagne and crumb of cake with gifts of gold and silver and precious stones enough to smother the tiny bride; but for once in a way it paid with a good heart, not merely in obedience to convention, but for the sake of participating in a unique and delightful scene, a touching ceremony, the plighting of East and West.
Would the Japanese heiress be married in a kimono with flowers and fans fixed in an elaborate _coiffure_? Thus the ladies were wondering as they craned their necks to catch a glimpse of the bride's procession up the aisle; but, though some even stood on hassocks and pew seats, few were able to distinguish for certain. She was so very tiny. At any rate, her six tall bridesmaids were arrayed in Japanese dress, lovely white creations embroidered with birds and foliage.
It is hard to distinguish anything in the perennial twilight of St. George's; a twilight symbolic of the new lives which emerge from its Corinthian portico into that married world about which so much has been guessed and so little is known.
One thing, however, was visible to all as the pair moved together up to the altar rails, and that was the size of the bridegroom as contrasted with the smallness of his bride. He looked like a great rough bear and she like a silver fairy. There was something intensely pathetic in the curve of his broad shoulders as he bent over the little hand to place in its proud position the diminutive golden circlet which was to unite their two lives.
As they left the church, the organ was playing _Kimi-ga-ya_, the Japanese national hymn. Nobody recognized it, except the few Japanese who were present; but Lady Everington, with that exaggeration of the suitable which is so typical of her, had insisted on its choice as a voluntary. Those who had heard the tune before and half remembered it decided that it must come from the "Mikado"; and one stern dowager went so far as to protest to the rector for permitting such a tune to desecrate the sacred edifice.
Outside the church stood the bridegroom's brother officers. Through the gleaming passage of sword-blades, smiling and happy, the strangely assorted couple entered upon the way of wedlock, as Mr. and Mrs. Geoffrey Barrington--the shoot of the Fujinami grafted on to one of the oldest of our noble families.
"Are her parents here?" one lady was asking her neighbour.
"Oh, no; they are both dead, I believe."
"What kind of people are they, do you know? Do Japs have an aristocracy and society and all that kind of thing?"
"I'm sure I don't know. I shouldn't think so. They don't look real enough."
"She is very rich, anyhow," a third lady intervened, "I've heard they are big landowners in Tokyo, and cousins of Admiral Togo's."
* * * * *
The opportunity for closer inspection of this curiosity was afforded by the reception given
Continue reading on your phone by scaning this QR Code

 / 125
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.