Jerome Cardan | Page 4

before I had fully recovered my health, I fell down-stairs (we were then living in the Via dei Maini), with a hammer in my hand, and by this accident I hurt the left side of my forehead, injuring the bone and causing a scar which remains to this day. Before I had recovered from this mishap I was sitting on the threshold of the house when a stone, about as long and as broad as a nut, fell down from the top of a high house next door and wounded my head just where my hair grew very thickly on the left side.
"At the beginning of my tenth year my father changed this house, which had proved a very unlucky one for me, for another in the same street, and there I abode for three whole years. But my ill luck still followed me, for my father once more caused me to go about with him as his famulus, and would never allow me on any pretext to escape this task. I should hesitate to say that he did this through cruelty; for, taking into consideration what ensued, you may perchance be brought to see that this action of his came to pass rather through the will of Heaven than through any failing of his own. I must add too that my mother and my aunt were fully in agreement with him in his treatment of me. In after times, however, he dealt with me in much milder fashion, for he took to live with him two of his nephews, wherefore my own labour was lessened by the amount of service he exacted from these. Either I did not go out at all, or if we all went out together the task was less irksome.
"When I had completed my sixteenth year--up to which time I served my father constantly--we once more changed our house, and dwelt with Alessandro Cardano next door to the bakery of the Bossi. My father had two other nephews, sons of a sister of his, one named Evangelista, a member of the Franciscan Order, and nearly seventy years of age, and the other Otto Cantone, a farmer of the taxes, and very rich. The last-named, before he died, wished to leave me his sole heir; but this my father forbad, saying that Otto's wealth had been ill gotten; wherefore the estate was distributed according to the directions of the surviving brother."[17]
This, told as nearly as may be in his own words, is the story of Cardan's birth and childhood and early discipline, a discipline ill calculated to let him grow up to useful and worthy manhood. It must have been a wretched spring of life. Many times he refers to the hard slavery he underwent in the days when he was forced to carry his father's bag about the town, and tells how he had to listen to words of insult cast at his mother's name.[18] Like most boys who lead solitary lives, unrelieved by the companionship of other children, he was driven in upon himself, and grew up into a fanciful imaginative youth, a lover of books rather than of games, with an old head upon his young shoulders. After such a training it was only natural that he should be transformed from a nervous hysterical child into an embittered, cross-grained man, profligate and superstitious at the same time. Abundant light is thrown upon every stage of his career, for few men have left a clearer picture of themselves in their written words, and nowhere is Cardan, from the opening to the closing scene, so plainly exhibited as in the De Vita Propria, almost the last work which came from his pen. It has been asserted that this book, written in the twilight of senility by an old man with his heart cankered by misfortune and ill-usage, and his brain upset by the dread of real or fancied assaults of foes who lay in wait for him at every turn, is no trustworthy guide, even when bare facts are in question, and undoubtedly it would be undesirable to trust this record without seeking confirmation elsewhere. This confirmation is nearly always at hand, for there is hardly a noteworthy event in his career which he does not refer to constantly in the more autobiographic of his works. The De Vita Propria is indeed ill arranged and full of inconsistencies, but in spite of its imperfections, it presents its subject as clearly and effectively as Benvenuto Cellini is displayed in his own work. The rough sketch of a great master often performs its task more thoroughly than the finished painting, and Cardan's autobiography is a fragment of this sort. It lets pass in order of procession the moody neglected boy in Fazio's ill-ordered house, the student at