Jeanne dArc | Page 5

that it is unable to play publicly (as we say) a losing game; but it is equally characteristic of the race to forget its humiliations as if they had never been, and to come out intact when the fortune of war changes, more French than ever, almost unabashed and wholly uninjured, by the catastrophe which had seemed fatal.
If we had any right to theorise on such a subject--which is a thing the French themselves above all other men love to do,--we should be disposed to say, that wars and revolutions, legislation and politics, are things which go on over the head of France, so to speak--boilings on the surface, with which the great personality of the nation if such a word may be used, has little to do, and cares but little for; while she herself, the great race, neither giddy nor fickle, but unusually obstinate, tenacious, and sober, narrow even in the unwavering pursuit of a certain kind of well-being congenial to her--goes steadily on, less susceptible to temporary humiliation than many peoples much less excitable on the surface, and always coming back into sight when the commotion is over, acquisitive, money-making, profit-loving, uninjured in any essential particular by the most terrific of convulsions. This of course is to be said more or less of every country, the strain of common life being always, thank God, too strong for every temporary commotion--but it is true in a special way of France:--witness the extraordinary manner in which in our own time, and under our own eyes, that wonderful country righted herself after the tremendous misfortunes of the Franco-German war, in which for a moment not only her prestige, her honour, but her money and credit seemed to be lost.
It seems rather a paradox to point attention to the extraordinary tenacity of this basis of French character, the steady prudence and solidity which in the end always triumph over the light heart and light head, the excitability and often rash and dangerous /élan/, which are popularly supposed to be the chief distinguishing features of France--at the very moment of beginning such a fairy tale, such a wonderful embodiment of the visionary and ideal, as is the story of Jeanne d'Arc. To call it a fairy tale is, however, disrespectful: it is an angelic revelation, a vision made into flesh and blood, the dream of a woman's fancy, more ethereal, more impossible than that of any man--even a poet:--for the man, even in his most uncontrolled imaginations, carries with him a certain practical limitation of what can be--whereas the woman at her highest is absolute, and disregards all bounds of possibility. The Maid of Orleans, the Virgin of France, is the sole being of her kind who has ever attained full expression in this world. She can neither be classified, as her countrymen love to classify, nor traced to any system of evolution as we all attempt to do nowadays. She is the impossible verified and attained. She is the thing in every race, in every form of humanity, which the dreaming girl, the visionary maid, held in at every turn by innumerable restrictions, her feet bound, her actions restrained, not only by outward force, but by the law of her nature, more effectual still,-- has desired to be. That voiceless poet, to whom what can be is nothing, but only what should be if miracle could be attained to fulfil her trance and rapture of desire--is held by no conditions, modified by no circumstances; and miracle is all around her, the most credible, the most real of powers, the very air she breathers. Jeanne of France is the very flower of this passion of the imagination. She is altogether impossible from beginning to end of her, inexplicable, alone, with neither rival nor even second in the one sole ineffable path: yet all true as one of the oaks in her wood, as one of the flowers in her garden, simple, actual, made of the flesh and blood which are common to us all.
And she is all the more real because it is France, impure, the country of light loves and immodest passions, where all that is sensual comes to the surface, and the courtesan is the queen of ignoble fancy, that has brought forth this most perfect embodiment of purity among the nations. This is of itself one of those miracles which captivate the mind and charm the imagination, the living paradox in which the soul delights. How did she come out of that stolid peasant race, out of that distracted and ignoble age, out of riot and license and the fierce thirst for gain, and failure of every noble faculty? Who can tell? By the grace of God, by the inspiration of heaven, the only origins in which the student