I should see there. You know I haven't been off this place since Easter.
IVANOFF. [Exasperated] Oh, very well! Come along then! How tiresome you all are!
SHABELSKI. I may go? Oh, thank you! [Takes him gaily by the arm and leads him aside] May I wear your straw hat?
IVANOFF. You may, only hurry, please.
SHABELSKI runs into the house.
IVANOFF. How tired I am of you all! But no, what am I saying? Annie, my manner to you is insufferable, and it never used to be. Well, good-bye, Annie. I shall be back by one.
ANNA. Nicholas! My dear husband, stay at home to-night!
IVANOFF. [Excitedly] Darling, sweetheart, my dear, unhappy one, I implore you to let me leave home in the evenings. I know it is cruel and unjust to ask this, but let me do you this injustice. It is such torture for me to stay. As soon as the sun goes down my soul is overwhelmed by the most horrible despair. Don't ask me why; I don't know; I swear I don't. This dreadful melancholy torments me here, it drives me to the Lebedieff's and there it grows worse than ever. I rush home; it still pursues me; and so I am tortured all through the night. It is breaking my heart.
ANNA. Nicholas, won't you stay? We will talk together as we used to. We will have supper together and read afterward. The old grumbler and I have learned so many duets to play to you. [She kisses him. Then, after a pause] I can't understand you any more. This has been going on for a year now. What has changed you so?
IVANOFF. I don't know.
ANNA. And why don't you want me to go driving with you in the evening?
IVANOFF. As you insist on knowing, I shall have to tell you. It is a little cruel, but you had best understand. When this melancholy fit is on me I begin to dislike you, Annie, and at such times I must escape from you. In short, I simply have to leave this house.
ANNA. Oh, you are sad, are you? I can understand that! Nicholas, let me tell you something: won't you try to sing and laugh and scold as you used to? Stay here, and we will drink some liqueur together. and laugh, and chase away this sadness of yours in no time. Shall I sing to you? Or shall we sit in your study in the twilight as we used to, while you tell me about your sadness? I can read such suffering in your eyes! Let me look into them and weep, and our hearts will both be lighter. [She laughs and cries at once] Or is it really true that the flowers return with every spring, but lost happiness never returns? Oh, is it? Well, go then, go!
IVANOFF. Pray for me, Annie! [He goes; then stops and thinks for a moment] No, I can't do it. [IVANOFF goes out.]
ANNA. Yes, go, go-- [Sits down at the table.]
LVOFF. [Walking up and down] Make this a rule, Madam: as soon as the sun goes down you must go indoors and not come out again until morning. The damp evening air is bad for you.
ANNA. Yes, sir!
LVOFF. What do you mean by "Yes, sir"? I am speaking seriously.
ANNA. But I don't want to be serious. [She coughs.]
LVOFF. There now, you see, you are coughing already.
SHABELSKI comes out of the house in his hat and coat.
SHABELSKI. Where is Nicholas? Is the carriage here yet? [Goes quickly to ANNA and kisses her hand] Good-night, my darling! [Makes a face and speaks with a Jewish accent] I beg your bardon! [He goes quickly out.]
LVOFF. Idiot!
A pause; the sounds of a concertina are heard in the distance.
ANNA. Oh, how lonely it is! The coachman and the cook are having a little ball in there by themselves, and I--I am, as it were, abandoned. Why are you walking about, Doctor? Come and sit down here.
LVOFF. I can't sit down.
[A pause.]
ANNA. They are playing "The Sparrow" in the kitchen. [She sings]
"Sparrow, Sparrow, where are you? On the mountain drinking dew."
[A pause] Are your father and mother living, Doctor?
LVOFF. My mother is living; my father is dead.
ANNA. Do you miss your mother very much?
LVOFF. I am too busy to miss any one.
ANNA. [Laughing] The flowers return with every spring, but lost happiness never returns. I wonder who taught me that? I think it was Nicholas himself. [Listens] The owl is hooting again.
LVOFF. Well, let it hoot.
ANNA. I have begun to think, Doctor, that fate has cheated me. Other people who, perhaps, are no better than I am are happy and have not had to pay for their happiness. But I have paid for it all, every moment of it, and such a price! Why should I have to pay so
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