Italian Journeys | Page 4

know how to read and write or not, would be starved to death. Even the learning of Italy is poetic; and an Italian would rather enjoy a fiction than know a fact--in which preference I am not ready to pronounce him unwise. But this characteristic of his embroiders the stranger's progress throughout the whole land with fanciful improbabilities; so that if one use his eyes half as much as his wonder, he must see how much better it would have been to visit, in fancy, scenes that have an interest so largely imaginary. The utmost he can make out of the most famous place is, that it is possibly what it is said to be, and is more probably as near that as any thing local enterprise could furnish. He visits the very cell in which Tasso was confined, and has the satisfaction of knowing that it was the charcoal-cellar of the hospital in which the poet dwelt. And the genius loci--where is that? Away in the American woods, very likely, whispering some dreamy, credulous youth,--telling him charming fables of its locus, and proposing to itself to abandon him as soon as he sets foot upon its native ground. You see, though I cared little about Tasso, and nothing about his prison, I was heavily disappointed in not being able to believe in it, and felt somehow that I had been awakened from a cherished dream.
II.
But I have no right to cast the unbroken shadow of my skepticism upon the reader, and so I tell him a story about Ferrara which I actually believe. He must know that in Ferrara the streets are marvelous long and straight. On the corners formed by the crossing of two of the longest and straightest of these streets stand four palaces, in only one of which we have a present interest. This palace my guide took me to see, after our visit to Tasso's prison, and, standing in its shadow, he related to me the occurrence which has given it a sad celebrity. It was, in the time of the gifted toxicologist, the residence of Lucrezia Borgia, who used to make poisonous little suppers there, and ask the best families of Italy to partake of them. It happened on one occasion that Lucrezia Borgia was thrust out of a ball-room at Venice as a disreputable character, and treated with peculiar indignity. She determined to make the Venetians repent their unwonted accession of virtue, and she therefore allowed the occurrence to be forgotten till the proper moment of her revenge arrived, when she gave a supper, and invited to her board eighteen young and handsome Venetian nobles. Upon the preparation of this repast she bestowed all the resources of her skillful and exquisite knowledge; and the result was, the Venetians were so felicitously poisoned that they had just time to listen to a speech from the charming and ingenious lady of the house before expiring. In this address she reminded her guests of the occurrence in the Venetian ball-room, and perhaps exulted a little tediously in her present vengeance. She was surprised and pained when one of the guests interrupted her, and, justifying the treatment she had received at Venice, declared himself her natural son. The lady instantly recognized him, and in the sudden revulsion of maternal feeling, begged him to take an antidote. This he not only refused to do, but continued his dying reproaches, till his mother, losing her self-command, drew her poniard and plunged it into his heart.
The blood of her son fell upon the table-cloth, and this being hung out of the window to dry, the wall received a stain, which neither the sun nor rain of centuries sufficed to efface, and which was only removed with the masonry, when it became necessary to restore the wall under that window, a few months before the time of my visit to Ferrara. Accordingly, the blood-stain has now disappeared; but the conscientious artist who painted the new wall has faithfully restored the tragic spot, by bestowing upon the stucco a bloody dash of Venetian red.
III.
It would be pleasant and merciful, I think, if old towns, after having served a certain number of centuries for the use and pride of men, could be released to a gentle, unmolested decay. I, for my part, would like to have the ducal cities of North Italy, such as Mantua, Modena, Parma, and Ferrara, locked up quietly within their walls, and left to crumble and totter and fall, without any harder presence to vex them in their decrepitude than that of some gray custodian, who should come to the gate with clanking keys, and admit the wandering stranger, if he gave signs of a reverent sympathy, to look for a little while upon the reserved and dignified desolation.