and falling in love, I should be able to do there, depended on "Antoun Effendi." But when Biddy congratulated me on my luck, and chance of success in the "scheme," I said nothing of Anthony.
CHAPTER II
CLEOPATRA AND THE SHIP'S MYSTERY
Now, at last, I can skip over the three days at sea, and get to our arrival at Alexandria, because, as I've said, the exciting part began soon after, at Cairo.
They were delightful days, for the Laconia is a Paris hotel disguised as a liner. And no man with blood in his veins could help enjoying the society of Brigit O'Brien and Rosamond Gilder. Cleopatra, too, was not to be despised as a charmer; and then there was the human interest of the prot��g��es, the one with the eyes and the one who had reluctantly developed into the Ship's Mystery.
Still, in spite of Biddy and Monny and the others, and not for them, my heart beat fast when, on the afternoon of the third day out from Naples, the ship brought us suddenly in sight of something strange. We were moving through a calm sea, more like liquefied marble than water, for it was creamy white rather than blue, veined with azure, and streaked, as marble is, with pink and gold. Far away across this gleaming floor blossomed a long line of high-growing lotus flowers, white and yellow against a silver sky. The effect was magical, and the wonder grew when the big flower-bed turned into domes and cupolas and spires rising out of the sea. Unimaginative people remarked that the coast looked so flat and uninteresting they didn't see why Alexander had wanted to bother with it; but they were the sort of people who ought to stop at home in London or Birmingham or Chicago and not make innocent fellow-passengers burn with unchristian feelings.
Soon I should see Anthony and hear his news. I felt sure he would be at Alexandria to meet the ship. When "Antoun Effendi" makes up his mind to do a thing, he will crawl from under a falling sky to do it. As the Laconia swept on, I hardly saw the glittering city on its vast prayer-rug of green and gold, guarded by sea forts like sleepy crocodiles. My mind's eyes were picturing Anthony as he would look after his wild Balkan experiences: brown and lean, even haggard and bearded, perhaps, a different man from the smart young officer of everyday life, unless he'd contrived to refit in the short time since his return to Egypt--a day or two at most, according to my calculation. But all my imaginings fell short of the truth.
As I thought of Anthony, Mrs. East came and stood beside me. I knew she was there before I turned to look, because of the delicate tinkling of little Egyptian amulets, which is her accompaniment, her leit motif, and because of the scent of sandalwood with which, in obedience to the ancient custom of Egyptian queens, she perfumes her hair.
I don't think I have described Monny Gilder's aunt, according to my conception of her, though I may have hinted at Biddy's. Biddy having a habit of focussing her sense of humour on any female she doesn't wholly love, may not do Mrs. East justice. The fact is, Monny's aunt is a handsome creature, distinctly a charmer who may at most have reached the age when Cleopatra--Antony's and Caesar's Cleopatra--died in the prime of her beauty. If Mrs. East chooses to date herself at thirty-three, any man not a confirmed misanthrope must believe her. Biddy says that until Peter Gilder was safely dead, Clara East was just an ordinary, well-dressed, pleasure-loving, novel-reading, chocolate-eating, respectable widow of a New York stockbroker: superstitious perhaps; fond of consulting palmists, and possessing Billikens or other mascots: (how many women are free from superstition?) slightly oriental in her love of sumptuous colours and jewellery; but then her mother (Peter Gilder's step-mother) was a beautiful Jewish opera singer. After Peter's death, his half-sister gave up novels for Egyptian and Roman history, took to studying hieroglyphics, and learning translations of Greek poetry. She invited a clairvoyant and crystal-gazer, claiming Egyptian origin, to visit at her Madison Square flat. Sayda Sabri, banished from Bond Street years ago, took up her residence in New York, accompanied by her tame mummy. Of course, it is the mummy of a princess, and she keeps it illuminated with blue lights, in an inner sanctum, where the bored-looking thing stands upright in its brilliantly painted mummy case, facing the door. About the time of Sayda's visit, it was noticed by Mrs. East's friends (this, according to Biddy) that the colour of the lady's hair was slowly but surely changing from black to chestnut, then to auburn; she was heard to remark casually that Queen Cleopatra's hair
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