Iranian Influence on Moslem Literature, Part I | Page 7

that in several respects in this province there were preserved typical features of Sasanian antiquity.
[Footnote 1: For a general conspectus of the history of the provinces with regard to their independence during the Sasanian and Arab domination, see, e.g. F. Justi, G.I. Ph., II, pp. 547-49--"History of Iran from the earliest to the end of the Sasanides" in German--Appendix I.]
KHORASAN.
It was otherwise with the Eastern provinces of Khorasan, too far distant from the territary occupied by the Arab settlers, and too densely inhabited by Iranians to rapidly lose its previous characteristics. On the contrary, we know from the historians that in this province Iranian elements remained steadfast throughout the Umayyad dynasty and it was exclusively due to the support given by Khorasanians to the Abbasides that the latter succeeded in overthrowing the previous dynasty and commenced the era of powerful Iranian influences in the history of the Musalman Orient.[1] Khorasan played a vital part in the development of the modern Persian literature and especially its chief department, poetry. The entire early period of the history of modern Persian poetry, from Abbas welcoming with an ode Khalif Mamun into Merv down to Firdausi, may be labelled Khorasanian. There flourished the activity of Rudaki, Kisai, Dakiki, and other less notable representatives of the early period of modern Persian bards.[2] The culture of poetry was favoured not only by the geographical position of the province of Khorasan but by its political conditions. Already in the beginning of the ninth century in Khorasan there had arisen national Persian dynasties and under their patronage began the renascence of the Persian nation (Taherides, Saffarides, Samanides).
[Footnote 1: On the history of Khorasan in the Umayyad period see J. Wellhausen Das Arabische Reich und Sein Sturz, p, 247 f. and p. 306 f.]
[Footnote 2: See the general survey of this period in J, Darmesteter, "The Origins of the Persian Poesy", in French and E.G. Browne "Literary History of Persia", I, p, 350 ff.]
FARS.
Under different circumstances but with considerable significance for the Persian national ideals lay the Southern province of Fars. Here with tenacious insistence survived not only national but also political traditions of ancient Sasanian Persia. Here was the centre of a government and from here started fresh dynasties. After the Arab conquest this province came into much more intimate connection with the Khalifate, than, for instance, Khorasan. But Persian elements were favoured by its geographical position,--the mountainous character of its situation and the consequent difficulty of access by the invaders. We already produced above the information of the Arab geographers of the tenth century regarding the abundance of fire-temples and castles in Fars. They relate that there was no village or hamlet of this province in which there was no fire-temple. Residence was taken up in strong castles by the native aristocrats whose ideals were rooted in the Sasanian epoch. Just in these geographers, Istakhri and Ibn Hauqal, is to be found information of unusual importance, so far as we can judge, regarding the conservation of the Parsi tradition in Fars These authors have been up to now not only not appreciated but their significance for our question has not yet been adequately recognised.
Istakhri and Ibn Hauqal enumerating the castles of Fars declare as follows regarding the castle of Shiz:[1]
"The castle of Shiz is situated in the district of Arrajana. There live fire-worshippers[2] who know Persia and her past. Here they study. This castle is very strong."
[Footnote 1: Istakhri, p. 118, 2-4; Ibn Hauqal, p, 180, 1-2.]
[Footnote 2: In the text occurs the Persian word badgozar, that is to say, the rhapsodists, the relators of the national traditions; on this word see B.G.A. III, pp. 182-83, and Vuller's Lexicon Persico-Latinum S.V. For a parallel to the archives of the Achamenide empire see F. Justi, Ein Tag aus den Leben des konigs Darius.]
Further we read the following in Istakhri (page 150, 14-17):--
"In the district of Sabur on the mountain there are likenesses of all the noteworthy Persian kings and grandees, of illustrious preservers of fire, high mobeds and others. Their portraits, their acts and narratives about them are successively recorded in volumes. With particular care are preserved these volumes by the people living in a locality in the district of Arrajan called the castle of Shiz."
From this information we learn that in one of the castles of Fars down to the tenth century there were preserved manuscripts written probably in the Pahlavi language containing narratives from Persian history and illustrated with, portraits after the style of the Sasanian reliefs to be found in the rocks in the district of Sabur.[1] This strong mountain fastness was probably little accessible to the Arabs and afforded an asylum to the mobeds, dehkans and others interested in the past of their country.
[Footnote 1: That is after the style of the Sasanian bass-reliefs