that. Here at any rate is a veritable survival. Nor does it matter that the George has made little figure in history; there is a whole world of satisfaction in the thought that it has changed but little since it was built in 1672. Its name is older than its structure. Stow included the George among the "many fair inns" he saw in Southwark in 1598, a fact which deals a cruel blow to that crude theory which declares inns were so named after the royal Georges of Great Britain.
[Illustration: GEORGE INN.]
Among the numerous other inns which once lined the High Street of Southwark there is but one which has claims upon the attention on the score of historic and literary interest. This is the White Hart, which was doubtless an old establishment at the date, 1406, of its first mention in historical records. Forty-four years later, that is in 1450, the inn gained its most notable association by being made the head-quarters of Jack Cade at the time of his famous insurrection. Modern research has shown that this rebellion was a much more serious matter than the older historians were aware of, but the most careful investigation into Cade's career has failed to elicit any particulars of note prior to a year before the rising took place. The year and place of his birth are unknown, but twelve months before he appears in history he was obliged to flee the realm and take refuge in France owing to his having murdered a woman who was with child. He served for a time in the French army, then returned under an assumed name and settled in Kent, which was the centre of discontent against Henry VI. As the one hope of reform lay in an appeal to arms, the discontent broke into open revolt. "The rising spread from Kent over Surrey and Sussex. Everywhere it was general and organized--a military levy of the yeomen of the three shires." It was not of the people alone, for more than a hundred esquires and gentlemen threw in their lot with the rebels; but how it came about that Jack Cade attained the leadership is a profound mystery. Leader, however, he was, and when he, with his twenty thousand men, took possession of Southwark as the most desirable base from which to threaten the city of London, he elected the White Hart for his own quarters. This was on the first of July, 1450, and for the next few of those midsummer days the inn was the scene of many stirring and tragic events. Daily, Cade at the head of his troops crossed the bridge into the city, and on one of those excursions he caused the seizure and beheadal of the hated Lord Say. Daily, too, there was constant coming and going at the White Hart of Cade's emissaries. At length, however, the citizens of London, stung into action by the robberies and other outrages of the rebels, occupied the bridge in force. A stubborn struggle ensued, but Cade and his men were finally beaten off. The amnesty which followed led to a conference at which terms were arranged and a general pardon granted. That for Cade, however, as it was made out in his assumed name of Mortimer, was invalid, and on the discovery being made he seized a large quantity of booty and fled. Not many days later he was run to earth, wounded in being captured, and died as he was being brought back to London. His naked body was identified by the hostess of the White Hart, who was probably relieved to gaze upon so certain an indication that she would be able to devote herself once more to the entertainment of less troublesome guests.
For all the speedy ending of his ambitions, Cade is assured of immortality so long as the pages of Shakespeare endure. The rebel is a stirring figure in the Second Part of King Henry VI and as an orator of the mob reaches his greatest flights of eloquence in that speech which perpetuates the name of his headquarters at Southwark. "Hath my sword therefore broke through London gates, that you should leave me at the White Hart in Southwark?"
But English literature was not done with the old inn. Many changes were to pass over its head during the nearly four centuries which elapsed ere it was touched once more by the pen of genius, changes wrought by the havoc of fire and the attritions of the hand of time. When those years had fled a figure was to be seen in its courtyard to become better known to and better beloved by countless thousands than the rebel leader of the fifteenth century. "In the Borough," wrote the creator of that figure, "there still remain
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