Inez | Page 7

produced by constant friction.
The wealthy inhabitants built of sun-dried bricks, overcast with a kind of stucco. Yet, unfortunately, the plastering art died with the Montezumas, for the most vivid imagination failed to convert this rough coating into the "silver sheen" which so dazzled Cortes's little band. The reader will exclaim, "I can fancy no beauty from so prosy a description. Thatched roofs and dirt floors, how absurd!"
Although a strict analysis might prove detrimental, I assure you the tout ensemble was picturesque indeed.
"Italia! oh Italia! thou who hast The fatal gift of beauty."
Art rivaled here. Thy gorgeous skies have floated hither, and hover like a halo round the town. The sun had set; the glowing tints faded fast, till of the brilliant spectacle naught remained save the soft roseate hue which melted insensibly into the deep azure of the zenith. Quiet seemed settling o'er mountain and river, when, with a solemn sweetness, the vesper bells chimed out on the evening air. Even as the Moslem kneels at sunset toward the "Holy City," so punctiliously does the devout papist bend for vesper prayers. Will you traverse with me the crooked streets, and stand beneath the belfry whence issued the holy tones?
This ancient edifice was constructed in 1692. It fronted the Plaza, and was a long, narrow building, flanked, as it were, by wings lower than the main apartment, and surmounted by a dome, in which were five or six bells. This dome or belfry was supported by pillars, and in the intervening openings were placed the bells. The roof was flat, and the dark green and gray moss clung along the sides. The interior presented a singular combination of art and rudeness; the seats were of unpainted pine, and the cement floor between was worn irregularly by the knees of devout attendants. The railing of the altar was of carved mahogany, rich and beautiful. Over this division of the long room hung a silken curtain, concealing three niches, which contained an image of the "Virgin," the "Child," and in the center one, a tall gilt cross. Heavy silver candlesticks were placed in front of each niche, and a dozen candles were now burning dimly. A variety of relics, too numerous to mention, were scattered on the altar, and in addition, several silver goblets, and a massive bowl for holding "holy water." A few tin sconces, placed against the wall, were the only provision for lighting that dark, gloomy church, and dreary enough it looked in the twilight hour. About a dozen devotees were present, all kneeling on the damp, hard floor. The silk curtain which concealed the altar was drawn aside, with due solemnity, by two boys habited in red flannel petticoats, over which hung a loose white slip. The officiating priest was seen kneeling before the altar, with his lips pressed to the foot of the cross. He retained his position for several moments, then rising, conducted the ceremonies in a calm, imposing manner. When these were concluded, and all had departed save the two boys, who still knelt before the Virgin, he beckoned them to him, and speaking a few words in Spanish, ended by pointing to the door and uttering, emphatically, "Go." Crossing themselves as they passed the images, they disappeared through a side door, and the priest was left alone.
CHAPTER V.
* * * "He was a man Who stole the livery of the court of heaven To serve the devil in; in Virtue's guise, Devoured the widow's house and orphan's bread; In holy phrase, transacted villanies That common sinners durst not meddle with."
POLLOK.
In years, he could not have exceeded twenty-five, yet the countenance was that of one well versed in intrigue. The cast was Italian--the crisp black hair, swarthy complexion, and never-to-be-mistaken eyes. A large amount of Jesuit determination was expressed in his iris, blended with cunning, malignity, and fierceness. The features were prominent particularly the nose; the lips finely cut, but thin; the teeth beautiful and regular. In stature he was low, and habited in the dress of his order, a long black coat or gown, buttoned to the throat, and reaching nearly to the feet.
Glancing at his watch as the sound of the last step died away, he paced round and round the altar, neglecting now the many genuflections, bows, and crossings with which he had honored the images in the presence of his flock. His brows were knit, as if in deep thought, and doubtless he revolved the result of some deep-laid plan, when the door was hurriedly opened, and a man, bowing low before the images, approached him. The dress of the stranger declared him a ranchero: he wore no jacket but his pantaloons were of buckskin, and his broad sombrero was tucked beneath his arm.
"Benedicit, Juan!"
"Bue?o noche, Padre."
"What tidings do you bring me?"