Indian Summer | Page 3

suggesting that he should come and see how he liked the architecture of Des Vaches. His brother had been seven years at Des Vaches, where he had lands, and a lead-mine, and a scheme for a railroad, and had lately added a daily newspaper to his other enterprises. He had, in fact, added two newspapers; for having unexpectedly and almost involuntarily become the owner of the Des Vaches Republican, the fancy of building up a great local journal seized him, and he bought the Wabash Valley Democrat, uniting them under the name of the Democrat-Republican. But he had trouble almost from the first with his editors, and he naturally thought of the brother with a turn for writing who had been running to waste for the last year or two in Europe. His real purpose was to work Colville into the management of his paper when he invited him to come out and look at the architecture of Des Vaches.
Colville went, because he was at that moment in the humour to go anywhere, and because his money was running low, and he must begin work somehow. He was still romantic enough to like the notion of the place a little, because it bore the name given to it by the old French voyageurs from a herd of buffalo cows which they had seen grazing on the site of their camp there; but when he came to the place itself he did not like it. He hated it; but he stayed, and as an architect was the last thing any one wanted in Des Vaches since the jail and court-house had been built, he became, half without his willing it, a newspaper man. He learned in time to relish the humorous intimacy of the life about him; and when it was decided that he was no fool--there were doubts, growing out of his Eastern accent and the work of his New York tailor, at first--he found himself the object of a pleasing popularity. In due time he bought his brother out; he became very fond of newspaper life, its constant excitements and its endless variety; and six weeks before he sold his paper he would have scoffed at a prophecy of his return to Europe for the resumption of any artistic purpose whatever. But here he was, lounging on the Ponte Vecchio at Florence, whither he had come with the intention of rubbing up his former studies, and of perhaps getting back to put them in practice at New York ultimately. He had said to himself before coming abroad that he was in no hurry; that he should take it very easily--he had money enough for that; yet he would keep architecture before him as an object, for he had lived long in a community where every one was intensely occupied, and he unconsciously paid to Des Vaches the tribute of feeling that an objectless life was disgraceful to a man.
In the meantime he suffered keenly and at every moment the loss of the occupation of which he had bereaved himself; in thinking of quite other things, in talk of totally different matters, from the dreams of night, he woke with a start to the realisation of the fact that he had no longer a newspaper. He perceived now, as never before, that for fifteen years almost every breath of his life had been drawn with reference to his paper, and that without it he was in some sort lost, and, as it were, extinct. A tide of ridiculous home-sickness, which was an expression of this passionate regret for the life he had put behind him, rather than any longing for Des Vaches, swept over him, and the first passages of a letter to the Post-Democrat-Republican began to shape themselves in his mind. He had always, when he left home for New York or Washington, or for his few weeks of summer vacation on the Canadian rivers or the New England coast, written back to his readers, in whom he knew he could count upon quick sympathy in all he saw and felt, and he now found himself addressing them with that frank familiarity which comes to the journalist, in minor communities, from the habit of print. He began by confessing to them the defeat of certain expectations with which he had returned to Florence, and told them that they must not look for anything like the ordinary letters of travel from him. But he was not so singular in his attitude toward the place as he supposed; for any tourist who comes to Florence with the old-fashioned expectation of impressions will probably suffer a disappointment, unless he arrives very young and for the first time. It is a city superficially so well known that it affects one somewhat like a