In the Wrong Paradise | Page 8

Andrew Lang
perfume, though heavy, was not unpleasant. The room was partly illuminated by the fire itself, partly by braziers full of blazing branches of trees; but, what was most remarkable, there were rows of metal images of young men (naked, I am sorry to say), with burning torches in their hands, ranged all along the side walls.
A good deal of taste, in one sense, had been expended in making these images, and money had clearly been no object. I might have been somewhat dazzled by the general effect, had I not reflected that, in my own country, gas is within reach of the poorest purse, while the electric light itself may be enjoyed by the very beggar in the street. Here, on the contrary, the dripping of the wax from the torches, the black smoke on the roof, the noisy crackling of the sandal-wood in the braziers, all combined to prove that these natives, though ingenious enough in their way, were far indeed below the level of modern civilization. The abominable ceremony of the afternoon would have proved as much, and now the absence of true comfort, even in the dwelling of a chief, made me think once more of the hardships of a missionary's career.
But I must endeavour to complete the picture of domestic life in the island, which I now witnessed for the first time, and which will never be seen again by Europeans. The walls themselves were of some dark but glittering metal, on which designs in lighter metal were inlaid. There were views of the chief going to the chase, his bow in his hand; of the chief sacrificing to idols; of men and young women engaged in the soul- destroying practice of promiscuous dancing; there were wild beasts, lions among others; rivers, with fish in them; mountains, trees, the sun and moon, and stars, all not by any means ill designed, for the work of natives. The pictures, indeed, reminded me a good deal of the ugly Assyrian curiosities in the British Museum, as I have seen them when conducting the children of the Bungletonian Band of Hope through the rooms devoted to the remains of Bible peoples, such as the Egyptians, Hittites, and others.
Red or blue curtains, strangely embroidered, hung over the doors, and trophies of swords, shields, and spears, not of steel, but of some darker metal, were fixed on the tall pillars that helped to prop the roof. At the top of the wall, just beneath the open unglazed spaces, which admitted light and air in the daytime, and wind and rain in bad weather, was a kind of frieze, or coping, of some deep blue material. {30} All along the sides of the hall ran carved seats, covered with pretty light embroidered cloths, not very different from modern Oriental fabrics. The carpets and rugs were precisely like those of India and Persia, and I supposed that they must have been obtained through commerce. But I afterwards learned that they were, beyond doubt, of native manufacture.
At the further end of the room was a kind of platform, or dais, on which tables were set with fruit and wine. But much more curious than the furniture of the hall was the group of women sitting by the fire in the centre. There sat in two rows some twenty girls, all busily weaving, and throwing the shuttle from hand to hand, laughing and chattering in low voices. In the midst of them, on a high chair of cedar-wood, decorated with ivory, and with an ivory footstool, sat a person whom, in a civilized country, one must have looked on with respect as a lady of high rank. She, like her husband the chief, had a golden circlet twisted in her hair, which was still brown and copious, and she wore an appearance of command.
At her feet, on a stool, reclined a girl who was, I must confess, of singular beauty. Doto had long fair hair, a feature most unusual among these natives. She had blue eyes, and an appearance of singular innocence and frankness. She was, at the moment, embroidering a piece of work intended, as I afterwards learned with deep pain, for the covering of one of their idols, to whose service the benighted young woman was devoted. Often in after days, I saw Doto stooping above her embroidery and deftly interweaving the green and golden threads into the patterns of beasts and flowers. Often my heart went out to this poor child of pagan tribe, and I even pleased myself with the hope that some day, a reclaimed and enlightened character, she might employ her skill in embroidering slippers and braces for a humble vessel. I seemed to see her, a helpmate meet for me, holding Mothers' Meetings, playing hymn-tunes on the lyre,
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