In Midsummer Days and Other Tales | Page 6

August Strindberg
more expert. And the piano became a regular fishing-ground for the summer guests, where they could always be sure to catch bass; the pilots spread out their nets round about it, and once a waiter fished there for red-eyes. But when his line with the old bell weight had run out, and he tried to wind it up again, he heard a run in X minor, and then the hook was caught. He pulled and pulled, and in the end he brought up five fingers with wool at the fingertips, and the bones cracked like the bones of a skeleton. Then he was frightened and flung his catch back into the sea, although he knew quite well what it was.
In the dog days, when the water is warm and all the fish retire to the greater depths to enjoy the coolness, the music ceased. But on a moonlit night in August, the summer guests held a regatta. The master of the mine and his wife were present. They sat in a white boat and were slowly rowed about by their sons. And as their boat was gliding over the black water, the surface of which was like silver and gold in the moonlight, they heard a sound of music just below their boat.
"Ha ha!" laughed the master of the mine, "listen to our old piano! Ha ha!"
But he was silent when he saw that his wife hung her head, in the way pelicans do in pictures; it looked as if she wanted to bite her own neck and hide her face.
The old piano and its long history had awakened memories in her of the first dining-room they furnished together, the first of their children which had had music lessons, the boredom of the long evenings, only to be chased away by the crashing volumes of sound which overcame the dulness of everyday life, changed bad temper into cheerfulness, and lent new beauty even to the old furniture . . . . But that is a story which belongs elsewhere.
When it was autumn and the winter wind began to blow, the pilchards came in their thousands and swam through the musical box. It was like a farewell concert, and nothing else, and the seagulls and stormy petrels came in crowds to listen to it. And in the night the musical box was carried out to sea; that was the end of the matter.

THE SLUGGARD
Conductor Crossberg was fond of lying in bed in the morning, firstly, because he had to conduct the orchestra in the evening, and secondly, because he drank more than one glass of beer before he went home and to bed. He had tried once or twice to get up early, but had found no sense in it. He had called on a friend, but had found him asleep; he had wanted to pay money into the bank, but had found it still closed; he had gone to the library to borrow music, but it was not yet open; he had wanted to use the electric trams, but they had not yet started running. It was impossible to get a cab at this hour of the morning; he could not even buy a pinch of his favourite snuff; there was nothing at all for him to do. And so he had eventually formed the habit of staying in bed until late; and after all, he had no one to please but himself.
He loved the sun and flowers and children; but he could not live on the sunny side of the street on account of his delicate instruments, which were out of tune almost as soon as they were put into a sunny room.
Therefore, on the 1st of April, he took rooms which faced north. He was quite sure that there was no mistake about this, for he carried a compass on his watch-chain, and he could find the Great Bear in the evening sky.
So far, so good; but then the spring came, and it was so warm that it was really pleasant to live in rooms with a northern aspect. His bedroom joined the sitting-room; he always kept his bedroom in pitch-black darkness by letting down the Venetian blinds; there were no Venetian blinds in the sitting-room, because they were not wanted there.
And the early summer came and everything grew green. The conductor had dined at the restaurant "Hazelmount," and had drunk a bottle of Burgundy with his dinner, and therefore he slept long and soundly, especially as the theatre was closed on that day.
He slept well, but while he slept it grew so warm in the room that he woke up two or three times, or, at any rate, he thought he did. Once he fancied that his wall-paper was on fire, but that was probably the effect
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