In Madeira Place | Page 7

Herman White Chaplin
office in a white linen cap, brandishing in his hand a long, gleaming knife. He only desired, however, to tell me that he had found a place at one of the clubs, and to show, in his pride, the shining blade which he had just bought as his equipment.
But the man who impressed me most, after Sorel, was Carron. He first appeared as the friend of the cook,--whom he introduced to me, with many flourishes and compliments, although he was an utter stranger himself. Carron was a well-built and rather handsome man, of medium height, and was then perhaps fifty years of age. He had a remarkably bright, intelligent face, curling brown hair, and a full, wavy brown beard. He kept a rival boarding-house, not far from Sorel's, in a gabled wooden house two hundred years old, which was anciently the home of an eminent Puritan divine. In the oak-panelled room where the theologian wrote his famous tract upon the Carpenter who Profanely undertook to Dispense the Word in the way of Public Ministration, and was Divinely struck Dumb in consequence, Carron now sold beer from a keg.
It was plain at a glance that his present was not of a piece with his past I could not place him. His manners were easy and agreeable, and yet he was not a gentleman. He was well informed, and evidently of some mental training, and yet he was not quite an educated man. After his first visit to me, with the cook, he, too, occasionally looked in upon me, generally late in the afternoon, when I could call the day's work done and could talk French for half an hour with him, in place of taking a walk. He was strongly dramatic, like Sorel, but in a different way. Sorel was intense; Carron was théatral. He was very fond of declamation; and seeing from the first my wish to learn French,--which Sorel would never very definitely recognize,--he often recited to me, for ear practice, and in an exceedingly effective way, passages from the Old Testament. He seemed to know the Psalms by heart. He was a good deal of an actor, and he took the part of a Hebrew prophet with great effect. But his fervor was all stage fire, and he would turn in an instant from a denunciatory Psalm to a humorous story. Even his stories were of a religious cast, like those which ministers relate when they gather socially. He told me once about a priest who was strolling along the bank of the Loire, when a drunken sailor accosted him and reviled him as a lazy good-for-nothing, a fainéant, and slapped his face. The priest only turned the other cheek to him. "Strike again," he said; and the sailor struck. "Now, my friend," said the priest, "the Scripture tells us that when one strikes us we are to turn the other cheek. There it ends its instruction and leaves us to follow our own judgment." Whereupon, being a powerful man, he collared the sailor and plunged him into the water. He told me, too, with great unction, and with a roguish gleam in his eye, a story of a small child who was directed to prepare herself for confession, and, being given a manual for self-examination, found the wrong places, and appeared with this array of sins: "I have been unfaithful to my marriage vows.... I have not made the tour of my diocese."
Carron had an Irish wife (une Irlandaise), much younger than he, whom he worshipped. He told me, one day, about his courtship. When he first met her, she knew not a word of French, and he not a word of English. He was greatly captivated (épris), and he had to contrive some mode of communication. They were both Catholics. He had a prayer-book with Latin and French in parallel columns; she had a similar prayer-book but in Latin and English. They would seat themselves; Carron would find in his prayer-book a sentence in French which would suit his turn, on a pinch, and through the medium of the Latin would find the corresponding passage in English in Norah's prayer-book and point it out to her. Norah, in her turn, would select and point out some passage in English which would serve as a tribute to Carron's charms, and he would discover in his prayer-book, in French, what that tribute was. Why should we deem the dead languages no longer a practical study, when Latin can gain for a Frenchman an Irish wife!
Carron, as I have said, puzzled me. He had not the pensive air of one who has seen better days. He was more than cheerful in his present life: he was full of spirits; and yet it was plain that he had been brought
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