Imagination and Heart, Tales for Fifteen | Page 4

less common, though Jane Austen's famous "Northanger Abbey" and Eaton Stannard Barrett's little-known but very funny "The Heroine; or, Adventures of Cherubina" (1813) fall within the genre. "Heart", a slim (indeed, truncated) account of faithful love, sinks into bathos; it is, perhaps, most interesting for its opening scene of a blase New York City crowd gathering around a fallen man -- and doing nothing to help him.}
{Spelling and punctuation are as in the 1823 original, including inconsistent spellings (e.g., gaiety and gayety, Henly and Henley) except that, because of the typographical limitations of the Gutenberg system, the few words italicized in the original are represented by ALL CAPITALS. Annotations by the transcriber are enclosed in {curly brackets}. A very few obvious typographical errors have been marked by {sic}.}

TALES FOR FIFTEEN: OR IMAGINATION AND HEART.
BY JANE MORGAN. ================
NEW-YORK C. WILEY, 3 WALL STREET J. Seymour, printer 1823

Southern District of New-York ss. BE IT REMEMBERED, That on the thirteenth day of June, in the forty-seventh year of the Independence of the United States of America, Charles Wiley, of the said District, hath deposited in this office the title of a Book, the right whereof he claims as proprietor, in the words and figures following, to wit:
"Tales for Fifteen; or Imagination and Heart. By Jane Morgan."
In conformity with the Act of Congress of the United States entitled, "An Act for the encouragement of Learning, by securing the copies of Maps, Charts, and Books, to the authors and proprietors of such copies, during the times herein mentioned." And also to an Act, entitled, "an Act, supplementary to an Act, for the encouragement of Learning, by securing the copies of Maps, Charts, and Books, to the authors and proprietors of such copies, during the times herein mentioned, and extending the benefits thereof to the arts of designing, engraving, and etching historical and other prints." JAMES DILL, Clerk of the Southern District of New-York

PREFACE
WHEN the author of these little tales commenced them, it was her intention to form a short series of such stories as, it was hoped, might not be entirely without moral advantage; but unforeseen circumstances have prevented their completion, and, unwilling to delay the publication any longer, she commits them to the world in their present unfinished state, without any flattering anticipations of their reception. They are intended for the perusal of young women, at that tender age when the feelings of their nature begin to act on them most insidiously, and when their minds are least prepared by reason and experience to contend with their passions.
"Heart" was intended for a much longer tale, and is unavoidably incomplete; but it is unnecessary to point out defects that even the juvenile reader will soon detect. The author only hopes that if they do no good, her tales will, at least, do no harm.

IMAGINATION. ---oOo---
I pray thee, gentle mortal, sing again: Mine ear is much enamoured of thy note, So is mine eye enthralled to thy shape; And thy fair virtue's force perforce doth move me, On the first view, to say, to swear, I love thee. MIDSUMMER NIGHT'S DREAM
{Shakespeare, "A Midsummer Night's Dream" Act III, Scene 1, lines 137-141}
"DO--write to me often, my dear Anna!" said the weeping Julia Warren, on parting, for the first time since their acquaintance, with the young lady whom she had honoured with the highest place in her affections. "Think how dreadfully solitary and miserable I shall be here, without a single companion, or a soul to converse with, now you are to be removed two hundred miles into the wilderness."
"Oh! trust me, my love, I shall not forget you now or ever," replied her friend, embracing the other slightly, and, perhaps, rather hastily for so tender an adieu; at the same time glancing her eye on the figure of a youth, who stood in silent contemplation of the scene. "And doubt not but I shall soon tire you with my correspondence, especially as I more than suspect it will be subjected to the criticisms of Mr. Charles Weston." As she concluded, the young lady curtisied to the youth in a manner that contradicted, by its flattery, the forced irony of her remark.
"Never, my dear girl!" exclaimed Miss Warren with extreme fervour. "The confidence of our friendship is sacred with me, and nothing, no, nothing, could ever tempt me to violate such a trust. Charles is very kind and very indulgent to all my whims, but he never could obtain such an influence over me as to become the depositary of my secrets. Nothing but a friend, like yourself, can do that, my dear Anna."
"Never! Miss Warren," said the youth with a lip that betrayed by its tremulous motion the interest he took in her speech--"never includes a long period of time. But," he added with a smile of