Ilka on the Hill-Top and Other Stories | Page 2

on the Bourse, where he had his commissionaires, always yielded him ample returns; and when an opportunity presented itself, which he had long foreseen, of buying a suburban garden at a bankrupt sale, he found himself, at least preliminarily, at the goal of his ambition. From this time forth, Mr. Hahn rose rapidly in wealth and power. He kept his thumb, so to speak, constantly on the public pulse, and prescribed amusements as unerringly as a physician prescribes medicine, and usually, it must be admitted, with better results. The "Haute Noblesse" became the favorite resort of fashionable idlers, among whom the military element usually pre-ponderated, and the flash of gilt buttons and the rattle of swords and scabbards could always be counted on as the unvarying accompaniment to the music.
With all his prosperity, however, Mr. Hahn could not be called a happy man. He had one secret sorrow, which, until within a year of his departure for the Tyrol, had been a source of constant annoyance: Mrs. Hahn, whom he had had the indiscretion to marry before he had arrived at a proper recognition of his own worth, was not his equal in intellect; in fact, she was conspicuously his inferior. She had been chamber-maid in a noble family, and had succeeded in marrying Mr. Hahn simply by the fact that she had made up her mind not to marry him. Mr. Hahn, however, was not a man to be baffled by opposition. When the pert Mariana had cut him three times at a dancing-hall, he became convinced that she was the one thing in the world which he needed to make his existence complete. After presenting him with a son, Fritz, and three rather unlovely daughters, she had gradually lost all her pertness (which had been her great charm) and had developed into a stout, dropsical matron, with an abundance of domestic virtues. Her principal trait of character had been a dogged, desperate loyalty. She was loyal to her king, and wore golden imitations of his favorite flowers as jewelry. She was loyal to Mr. Hahn, too; and no amount of maltreatment could convince her that he was not the best of husbands. She adored her former mistress and would insist upon paying respectful little visits to her kitchen, taking her children with her. This latter habit nearly drove her husband to distraction. He stamped his feet, he tore his hair, he swore at her, and I believe, he even struck her; but when the next child was born,--a particularly wonderful one,--Mrs. Hahn had not the strength to resist the temptation of knowing how the new-born wonder would impress the Countess von Markenstein. Another terrible scene followed. The poor woman could never understand that she was no longer the wife of a waiter, and that she must not be paying visits to the great folks in their kitchens.
Another source of disturbance in Mr. Hahn's matrimonial relations was his wife's absolute refusal to appear in the parquet or the proscenium boxes in the theatre. In this matter her resistance bordered on the heroic; neither threats nor entreaties could move her.
"Law, Julius," she would say, while the tears streamed down over her plump cheeks, "the parquet and the big boxes are for the gentlefolks, and not for humble people like you and me. I know my place, Julius, and I don't want to be the laughing-stock of the town, as I should be, if I went to the opera and sat where my lady the Countess, and the other fine ladies sit. I should feel like a fool, too, Julius, and I should cry my eyes out when I got home."
It may easily be conjectured that Mr. Hahn's mourning covered a very light heart when the dropsy finally carried off this loving but troublesome spouse. Nor did he make any secret of the fact that her death was rather a relief to him, while on the other hand he gave her full credit for all her excellent qualities. Fritz, who was in cordial sympathy with his father's ambition for social eminence, had also learned from him to be ashamed of his mother, and was rather inclined to make light of the sorrow which he actually felt, when he saw the cold earth closing over her.
At the time when he made his summer excursion in the Tyrol, Fritz was a stout blond youth of two and twenty. His round, sleek face was not badly modelled, but it had neither the rough openness, characteristic of a peasant, nor yet that indefinable finish which only culture can give. In spite of his jaunty, fashionable attire, you would have put him down at once as belonging to what in the Old World is called "the middle class." His blue eyes indicated shrewdness, and his red