If Youre Going to Live in the Country

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If You're Going to Live in the Country, by

Thomas H. Ormsbee and Richmond Huntley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: If You're Going to Live in the Country
Author: Thomas H. Ormsbee and Richmond Huntley
Illustrator: Frank Lieberman
Release Date: February 20, 2006 [EBook #17804]
Language: English
Character set encoding: ISO-8859-1
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IF YOU'RE GOING TO LIVE IN THE COUNTRY
[Illustration: A RIVERSIDE HOME RECONSTRUCTED FROM THE RUINS OF AN OLD MILL
Photo by Samuel H. Gottscho Robertson Ward, architect]

IF YOU'RE GOING TO LIVE IN THE COUNTRY
BY THOMAS H. ORMSBEE AND RICHMOND HUNTLEY
[Illustration]
DECORATIONS BY FRANK LIEBERMAN
[Illustration]
THOMAS Y. CROWELL COMPANY PUBLISHERS NEW YORK

COPYRIGHT, 1937
BY THOMAS Y. CROWELL COMPANY
All rights reserved. No part of this book may be reproduced in any form except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper.
MANUFACTURED IN THE UNITED STATES OF AMERICA BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N. Y.

To CARROLL and THERESE NICHOLS

ACKNOWLEDGMENTS
No book that covers so many phases of human relationships could be compiled without taking advice from those who are specialists. When we have wanted to know facts, we have freely turned to others whose detailed knowledge represented long experience. For this assistance we are particularly indebted to: M. Shaler Allen, Bruce Millar, Mrs. Herbert Q. Brown, and George S. Platts; also, to House & Garden, in which parts of this book appeared serially; and to Miss Eleanor V. Searing for many hours spent reading manuscript.
New Canaan, Conn. April 1937

CONTENTS
PAGE
INTRODUCTION xi
CHAPTER
I.
WHY LIVE IN THE COUNTRY 3
II. SELECTING THE LOCATION 19
III. SHOPPING FOR PROPERTY 35
IV. CALL IN AN ARCHITECT 57
V. BUILDING VERSUS REMODELING 73
VI. LOOKING AN OLD HOUSE IN THE MOUTH 91
VII. NEW SITES FOR OLD HOUSES 105
VIII. THE SMOKE GOES UP THE CHIMNEY 121
IX. THE QUESTION OF WATER SUPPLY 139
X. SEWAGE SAFETY 153
XI. DECORATIONS AND FURNISHINGS 165
XII. THE FACTORY PART OF THE HOUSE 179
XIII. PETS AND LIVESTOCK 191
XIV. TIGHTENING FOR WINTER 203
XV. KEEPING HOME FIRES IN THEIR PLACE 215
XVI. WHEN THINGS GO WRONG 227
XVII. WORKING WITH NATURE 243

LIST OF ILLUSTRATIONS
A riverside home reconstructed from the ruins of an old mill Frontispiece Robertson Ward, architect. Photo by Gottscho
FACING PAGE
The Ogden house, Fairfield, Conn. Built before 1705, it has been restored to preserve the original details 12 Miss Mary Allis
An old farmhouse in the rough 36 Photo by John Runyon
A really Early American interior. The great fireplace of the Wayside Inn, Sudbury, Mass. 60 Henry Ford
Once half a house and a hen roost 76 Photo by Whitney
What can be done with a barn 76 Robertson Ward, architect. Photo by Gottscho
As they built a chimney in the 18th Century 118 Photo by John Runyon
A place for summer and week-ends 148 Robertson Ward, architect. Photo by La Roche
True 18th Century simplicity. Now the authors' dining room 170 Photo by John Runyon
Entirely new, but with all the charm of an old house 184 Robertson Ward, architect. Photo by Gottscho
Snow has dignity, but is the house snug and warm? 206 Photo by Gottscho
An imposing country home of classic dignity 220 Robertson Ward, architect. Photo by Gottscho
Skillful planting of trees, shrubs, and flowers make the setting 244 Robertson Ward, architect. Photo by Gottscho
[Illustration]

INTRODUCTION
There is a beginning with everything. So far as this book is concerned, annual driving trips through Central Vermont are responsible. They were great events, planned months in advance. With a three-seated carriage and a stocky span good for thirty miles a day and only spirited if they met one of those new contraptions aglitter with polished brass gadgets, that fed on gasoline instead of honest cracked corn and oats, we took to the road. A newspaper man, vacation-free from Broadway first nights and operas sung by Melba, Sembrich, and the Brothers de Reszke, was showing his city-bred children his native hills and introducing them to the beauties of a world alien to asphalt pavements and brownstone fronts.
It was leisurely travel. When the road was unusually steep, to spare the horses, we walked. If Mother's eagle eye spotted a four-leaf clover, we stopped and picked it. If a bend in the road brought a pleasing prospect into view, the horses could be certain of ten minutes for cropping roadside grass. Most of all, no farmhouse nestling beneath wide-spread maples or elms went without careful consideration of Father's constant daydream, a home in the country.
These driving trips often included overnight stops with relatives living in villages undisturbed by the screech and thunder of freight and way trains, or with others living on picturesque