and his purpose were alike arrested by a sound of a voice singing outside the tavern door.
The voice was a man's voice, something rough and strained for fine music, and yet with a kind of full and florid sweetness that carried the words clearly through the red-curtained windows. They seemed to make a complaint of Fortune:
"Since I have left the prison gate Where I came near to say good-bye To this poor life that needs must fly From the malignity of Fate, Perchance she now will pass me by Since I have left the prison gate."
If the king pricked his ear to listen, and even Tristan moved a little in his lethargy, the effect of the song upon the company of gamblers was instant and pronounced. The Abbess leaped to her feet, crying out: "It is the voice of Fran?ois!" "It is indeed his own unutterable pipe," agreed René de Montigny, sweeping his winnings into his pouch. Robin Turgis raised his hands in a comical despair as he muttered: "Here is the devil out of hell again." All the men and women were looking eagerly at the door.
"Who is this?" asked Louis of Tristan, "whose coming seems so to flutter these night-birds?"
"The strangest knave in all Paris," Tristan answered. "One Fran?ois Villon, scholar, poet, drinker, sworder, drabber, blabber, good at pen, point, and pitcher. In the Court of Miracles they call him the King of the Cockleshells. Judge him for yourself."
CHAPTER II
MASTER FRAN?OIS VILLON
As Tristan spoke the tavern latch rattled, the tavern door was flung noisily open, and the king's gaze rested on a strange figure framed in the entry. The man was of middle height, spare and slight and lean; his thin, eager face was bronzed with the suns and winds of a generation, and lined with the stern ciphers of malign experiences. His dark, straight hair was long and unkempt; the finer lines of his cheeks and chin were blurred with the uncropped growth of a week-old beard; his eyes were bright and quick; his glance restless and comprehensive. A cunning reader of features would have found a home for high thoughts behind the fine forehead, the lines of infinite tenderness upon the mobile lips, the light of some noble conflagration in the wild eyes. He was dressed in faded finery of many colours, so ragged and patched and hostile that he had very much the air of a gaudy scarecrow. His ruined cloak was tilted by a long sword; his disordered thatch was crowned by a battered cap grotesquely adorned with a cock's feather. In his leathern belt a small vellum bound book of verses kept company with a dagger. For all his whimsical appearance the king's keen eyes could note a something gallant in the carriage of the scamp, could spy out qualities of manhood beneath the battered bravery. He poised for a moment on the threshold in a fantastic attitude of salutation ere he slammed the door behind him and strode forward to meet his friends.
"Well, Hearts of Gold, how are ye?" he cried joyously as he advanced with head thrown back and open hands extended. "Did ye miss me, lads; did ye miss me, lasses?"
Abbess Huguette was at his side in an instant, with her arms about his neck fondling him and fawning upon him. "Surely I missed you," she whispered. "Where have you been, little monkey?"
Master Fran?ois looked at her for a moment with a curious pity. Then gently extricating himself from her embrace he called out, "Give me a wash of wine for my throat's parched with piping."
Every man thrust his own mug towards Master Fran?ois, beseeching him to drink of it, but he waved them all aside imperially. "Nay, I will have my own," he said. "Have we no landlord here? Master Robin, come hither."
Robin Turgis, who had kept apart up to now, surveying the new-comer with no excess of favour, moved slowly forward with his thumbs in his girdle and a sour smile on his fat cheeks. Master Fran?ois addressed him sternly, twitching as he did so the landlord's greasy cap from his pate and sending it flying down the room. "Why do you not salute gentry when they honour your pot-house? A mug of your best Beaune, Master Beggar-maker, to drink damnation to the Burgundians."
Robin Turgis made no motion to obey, but his small eyes seemed to grow smaller as they stared. "What colour has money now-a-days, Master Fran?ois?" he asked doggedly. In a moment the brown, dirty hand of the poet was clapped to his dagger and there was something of a wolfish snarl in his voice as he answered menacingly, "The colour of blood sometimes." But the landlord, unabashed and undismayed, stood his ground.
"None of your swaggering, Master Fran?ois," he said sturdily. "There is such a thing
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