Idolatry | Page 7

momentous epoch in our history. From the beginning, a handsome, stalwart, blue-eyed man, with a great beard like a sheaf of straw, shoulders upon the scene, and thenceforth becomes inextricably mixed up with dark-eyed Helen. We recognize in him an old acquaintance; he was on the lateen-sailed boat that went up the Nile; it was he who swung himself from the vessel's side, and pulled Manetho out of the jaws of death,--a fact, by the way, of which Manetho remained ignorant until his dying day. With this new arrival, Helen's supremacy in the household ends. Thor--so they call him--involuntarily commands her, and so her subjects. Against him, the Reverend Manetho has not the ghost of a chance. To his credit is it that he conceals whatever emotions of disappointment or jealousy he might be supposed to feel, and is no less winning towards Thor than towards the rest of the world. But is it possible that the talisman still hides in Helen's bosom? Does the conflict which it symbolizes beset her heart?
The enchanted mirror is still again, and a curious scene is reflected from it. A large and lofty room, windowless, lit by flaring lamps hung at intervals round the walls; the panels contain carvings in bas-relief of Egyptian emblems and devices; columns surround the central space, their capitals carved with the lotos-flower, their bases planted amidst papyrus leaves. A border of hieroglyphic inscription encircles the walls, just beneath the ceiling. In each corner of the room rests a red granite sarcophagus, and between each pair of pillars stands a mummy in its wooden case. At that end farthest from the low-browed doorway--which is guarded by two great figures of Isis and Osiris, sitting impassive, with hands on knees--is raised an altar of black marble, on which burns some incense. The perfumed smoke, wavering upwards, mingles with that of the lamps beneath the high ceiling. The prevailing color is ruddy Indian-red, relieved by deep blue and black, while brighter tints show here and there. Blocks of polished stone pave the floor, and dimly reflect the lights.
In front of the altar stands a ministerial figure,--none other than Manetho, who must have taken orders,--and joins together, in holy matrimony, the yellow-bearded Thor and the dark-haired Helen. Master Hiero, his round, snub-nosed face red with fussy emotion, gives the bride away; while Salome, dressed in white and looking very pretty and lady-like, does service as bridesmaid,--such is her mistress's whim. She seems in even better spirits than the pale bride, and her black eyes scarcely wander from the minister's rapt countenance.
But a few hours later, when bride and groom are gone, Salome,--who, on some plausible pretext of, her own, has been allowed to remain with brother Hiero until her mistress returns from the wedding-tour,--- Salome appears in the secret chamber, where the Reverend Manetho sits with his head between his hands. We will not look too closely at this interview. There are words fierce and tender, tears and pleadings, feverish caresses, incoherent promises, distrustful bargains; and it is late before they part. Salome passes out through the great tomb-like hall, where all the lamps save one are burnt out; and the young minister remains to pursue his holy meditations alone.
We are too discreet to meddle with the honeymoon; but, passing over some eight months, behold the husband and wife returned, to plume their wings ere taking the final flight. Another strange scene attracts us here.
The dusk of a summer evening. Helen, with a more languid step and air than before marriage, saunters along a path through the trees, some distance from the house. She is clad in loose-flowing drapery, and has thrown a white shawl over her head and shoulders. Reaching a bench of rustic woodwork, she drops weariedly down upon it.
Manetho comes out all at once, and stands before her; he seems to have darkened together from the shadow of the surrounding trees. Perhaps a little startled at his so abrupt appearance, she opens her eyes with a wondering haughtiness; but, at the same time, the light pressure of the enchanted ring against her bosom feels like a dull sting, and her heart beats uncomfortably. He begins to speak in his usual tone of softest deference; he sits down by her, and now she is paler, glances anxiously up the path for her delaying husband, and the hand that lifts her handkerchief to her lips trembles a little. Is it at his words? or at their tone? or at what she sees lurking behind his dusky eyes, curdling beneath his thin, dark skin, quivering down to the tips of his long, slender fingers?
All in a moment he bursts forth, without warning, without restraint, the fire of the Egyptian sun boiling in his blood and blazing in his passion. He seizes her soft