Hunting with the Bow and Arrow | Page 5

of his disease he failed so rapidly that he was not strong enough to travel.
Consumed with fever and unable to eat nourishing food, he seemed doomed from the first. After months of misery he suddenly developed a tremendous pulmonary hemorrhage. I was with him at the time, directed his medication, and gently stroked his hand as a small sign of fellowship and sympathy. He did not care for marked demonstrations of any sort.
He was a stoic, unafraid, and died in the faith of his people.
As an Indian should go, so we sent him on his long journey to the land of shadows. By his side we placed his fire sticks, ten pieces of dentalia or Indian money, a small bag of acorn meal, a bit of dried venison, some tobacco, and his bow and arrows.
These were cremated with him and the ashes placed in an earthen jar. On it is inscribed "Ishi, the last Yana Indian, 1916."
And so departed the last wild Indian of America. With him the neolithic epoch terminates. He closes a chapter in history. He looked upon us as sophisticated children--smart, but not wise. We knew many things and much that is false. He knew nature, which is always true. His were the qualities of character that last forever. He was essentially kind; he had courage and self-restraint, and though all had been taken from him, there was no bitterness in his heart. His soul was that of a child, his mind that of a philosopher.
With him there was no word for good-by. He said: "You stay, I go."
He has gone and he hunts with his people. We stay, and he has left us the heritage of the bow.

II
HOW ISHI MADE HIS BOW AND ARROW AND HIS METHODS OF SHOOTING
Although much has been written in history and fiction concerning the archery of the North American Indian, strange to say, very little has been recorded of the methods of manufacture of their weapons, and less in accurate records of their shooting.
It is a great privilege to have lived with an unspoiled aborigine and seen him step by step construct the most perfect type of bow and arrow.
The workmanship of Ishi was by far the best of any Indian in America; compared with thousands of specimens in the museum, his arrows were the most carefully and beautifully made; his bow was the best.
It would take too much time to go into the minute details of his work, and this has all been recorded in anthropologic records, [1] [Footnote 1: See _Yahi Archery_, Vol. 13, No. 3, _Am. Archaeology and Ethnology_.] but the outlines of his methods are as follows:
The bow, Ishi called _man-nee_. It was a short, flat piece of mountain juniper backed with sinew. The length was forty-two inches, or, as he measured it, from the horizontally extended hand to the opposite hip. It was broadest at the center of each limb, approximately two inches, and half an inch thick. The cross-section of this part was elliptical. At the center of the bow the handgrip was about an inch and a quarter wide by three-quarters thick, a cross-section being ovoid. At the tips it was curved gently backward and measured at the nocks three-quarters by one-half an inch. The nock itself was square shouldered and terminated in a pin half an inch in diameter and an inch long.
The wood was obtained by splitting a limb from a tree and utilizing the outer layers, including the sap wood. By scraping and rubbing on sandstone, he shaped and finished it. The recurved tips of the bow he made by bending the wood backward over a heated stone. Held in shape by cords and binding to another piece of wood, he let his bow season in a dark, dry place. Here it remained from a few months to years, according to his needs. After being seasoned he backed it with sinew. First he made a glue by boiling salmon skin and applying it to the roughened back of the bow. When it was dry he laid on long strips of deer sinew obtained from the leg tendons. By chewing these tendons and separating their fibers, they became soft and adhesive. Carefully overlapping the ends of the numerous fibers he covered the entire back very thickly. At the nocks he surrounded the wood completely and added a circular binding about the bow.
During the process of drying he bound the sinew tightly to the bow with long, thin strips of willow bark. After several days he removed this bandage and smoothed off the edges of the dry sinew, sized the surface with more glue and rubbed everything smooth with sandstone. Then he bound the handgrip for a space of four inches with a narrow buckskin thong.
In his native state he seems never to