How To Write Special Feature Articles | Page 5

Willard Grosvenor Bleyer
to them. If a newspaper has a considerable circulation outside the city where it is published, the editors, in framing their policy, cannot afford to overlook their suburban and rural readers. The character of its readers, in a word, determines the character of a paper's special feature stories.
The newspaper is primarily local in character. A city, a state, or at most a comparatively small section of the whole country, is its particular field. Besides the news of its locality, it must, of course, give significant news of the world at large. So, too, in addition to local feature articles, it should furnish special feature stories of a broader scope. This distinctively local character of newspapers differentiates them from magazines of national circulation in the matter of acceptable subjects for special articles.
The frequency of publication of newspapers, as well as their ephemeral character, leads, in many instances, to the choice of comparatively trivial topics for some articles. Merely to give readers entertaining matter with which to occupy their leisure at the end of a day's work or on Sunday, some papers print special feature stories on topics of little or no importance, often written in a light vein. Articles with no more serious purpose than that of helping readers to while away a few spare moments are obviously better adapted to newspapers, which are read rapidly and immediately cast aside, than to periodicals.
The sensationalism that characterizes the policy of some newspapers affects alike their news columns and their magazine sections. Gossip, scandal, and crime lend themselves to melodramatic treatment as readily in special feature articles as in news stories. On the other hand, the relatively few magazines that undertake to attract readers by sensationalism, usually do so by means of short stories and serials rather than by special articles.
All newspapers, in short, use special feature stories on local topics, some papers print trivial ones, and others "play up" sensational material; whereas practically no magazine publishes articles of these types.
SUNDAY MAGAZINE SECTIONS. The character and scope of special articles for the Sunday magazine section of newspapers have been well summarized by two well-known editors of such sections. Mr. John O'Hara Cosgrove, editor of the New York Sunday World Magazine, and formerly editor of _Everybody's Magazine_, gives this as his conception of the ideal Sunday magazine section:
The real function of the Sunday Magazine, to my thinking, is to present the color and romance of the news, the most authoritative opinions on the issues and events of the day, and to chronicle promptly the developments of science as applied to daily life. In the grind of human intercourse all manner of curious, heroic, delightful things turn up, and for the most part, are dismissed in a passing note. Behind every such episode are human beings and a story, and these, if fairly and artfully explained, are the very stuff of romance. Into every great city men are drifting daily from the strange and remote places of the world where they have survived perilous hazards and seen rare spectacles. Such adventures are the treasure troves of the skilful reporter. The cross currents and reactions that lead up to any explosion of greed or passion that we call crime are often worth following, not only for their plots, but as proofs of the pain and terror of transgression. Brave deeds or heroic resistances are all too seldom presented in full length in the news, and generously portrayed prove the nobility inherent in every-day life.
The broad domain of the Sunday magazine editor covers all that may be rare and curious or novel in the arts and sciences, in music and verse, in religion and the occult, on the stage and in sport. Achievements and controversies are ever culminating in these diverse fields, and the men and women actors therein make admirable subjects for his pages. Provided the editor has at his disposal skilled writers who have the fine arts of vivid and simple exposition and of the brief personal sketch, there is nothing of human interest that may not be presented.
The ideal Sunday magazine, as Mr. Frederick Boyd Stevenson, Sunday editor of the Brooklyn Eagle, sees it, he describes thus:
The new Sunday magazine of the newspaper bids fair to be a crisp, sensible review and critique of the live world. It has developed a special line of writers who have learned that a character sketch and interview of a man makes you "see" the man face to face and talk with him yourself. If he has done anything that gives him a place in the news of to-day, he is presented to you. You know the man.
It seems to me that the leading feature of the Sunday magazine should be the biggest topic that will be before the public on the Sunday that the newspaper is printed.
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