Honorine | Page 2

himself to be crushed and mischievous; finally, two Parisians, who have come to take leave of the Consul's wife at a splendid dinner, and you will have the picture presented by the terrace of the villa about the middle of May--a picture in which the predominant figure was that of a celebrated woman, on whom all eyes centered now and again, the heroine of this improvised festival.
One of the two Frenchmen was the famous landscape painter, Leon de Lora; the other a well known critic Claude Vignon. They had both come with this lady, one of the glories of the fair sex, Mademoiselle des Touches, known in the literary world by the name of Camille Maupin.
Mademoiselle des Touches had been to Florence on business. With the charming kindness of which she is prodigal, she had brought with her Leon de Lora to show him Italy, and had gone on as far as Rome that he might see the Campagna. She had come by Simplon, and was returning by the Cornice road to Marseilles. She had stopped at Genoa, again on the landscape painter's account. The Consul-General had, of course, wished to do the honors of Genoa, before the arrival of the Court, to a woman whose wealth, name, and position recommend her no less than her talents. Camille Maupin, who knew her Genoa down to its smallest chapels, had left her landscape painter to the care of the diplomate and the two Genoese marquises, and was miserly of her minutes. Though the ambassador was a distinguished man of letters, the celebrated lady had refused to yield to his advances, dreading what the English call an exhibition; but she had drawn in the claws of her refusals when it was proposed that they should spend a farewell day at the Consul's villa. Leon de Lora had told Camille that her presence at the villa was the only return he could make to the Ambassador and his wife, the two Genoese noblemen, the Consul and his wife. So Mademoiselle des Touches had sacrificed one of those days of perfect freedom, which are not always to be had in Paris by those on whom the world has its eye.
Now, the meeting being accounted for, it is easy to understand that etiquette had been banished, as well as a great many women even of the highest rank, who were curious to know whether Camille Maupin's manly talent impaired her grace as a pretty woman, and to see, in a word, whether the trousers showed below her petticoats. After dinner till nine o'clock, when a collation was served, though the conversation had been gay and grave by turns, and constantly enlivened by Leon de Lora's sallies--for he is considered the most roguish wit of Paris to-day--and by the good taste which will surprise no one after the list of guests, literature had scarcely been mentioned. However, the butterfly flittings of this French tilting match were certain to come to it, were it only to flutter over this essentially French subject. But before coming to the turn in the conversation which led the Consul-General to speak, it will not be out of place to give some account of him and his family.
This diplomate, a man of four-and-thirty, who had been married about six years, was the living portrait of Lord Byron. The familiarity of that face makes a description of the Consul's unnecessary. It may, however, be noted that there was no affectation in his dreamy expression. Lord Byron was a poet, and the Consul was poetical; women know and recognize the difference, which explains without justifying some of their attachments. His handsome face, thrown into relief by a delightful nature, had captivated a Genoese heiress. A Genoese heiress! the expression might raise a smile at Genoa, where, in consequence of the inability of daughters to inherit, a woman is rarely rich; but Onorina Pedrotti, the only child of a banker without heirs male, was an exception. Notwithstanding all the flattering advances prompted by a spontaneous passion, the Consul-General had not seemed to wish to marry. Nevertheless, after living in the town for two years, and after certain steps taken by the Ambassador during his visits to the Genoese Court, the marriage was decided on. The young man withdrew his former refusal, less on account of the touching affection of Onorina Pedrotti than by reason of an unknown incident, one of those crises of private life which are so instantly buried under the daily tide of interests that, at a subsequent date, the most natural actions seem inexplicable.
This involution of causes sometimes affects the most serious events of history. This, at any rate, was the opinion of the town of Genoa, where, to some women, the extreme reserve, the melancholy of the French Consul could be