of squares of chestnut bark, or shingles of overlapping birch-bark. A bark or log shutter was hung at the window, and a bark door hung on withe hinges, or, if very luxurious, on leather straps, completed the quickly made home. This was called rolling-up a house, and the house was called a puncheon and bark house. A rough puncheon floor, hewed flat with an axe or adze, was truly a luxury. One settler's wife pleaded that the house might be rolled up around a splendid flat stump; thus she had a good, firm table. A small platform placed about two feet high alongside one wall, and supported at the outer edge with strong posts, formed a bedstead. Sometimes hemlock boughs were the only bed. The frontier saying was, "A hard day's work makes a soft bed." The tired pioneers slept well even on hemlock boughs. The chinks of the logs were filled with moss and mud, and in the autumn banked up outside with earth for warmth.
These log houses did not satisfy English men and women. They longed to have what Roger Williams called English houses, which were, however, scarcely different in ground-plan. A single room on the ground, called in many old wills the fire-room, had a vast chimney at one end. A so-called staircase, usually but a narrow ladder, led to a sleeping-loft above. Some of those houses were still made of whole logs, but with clapboards nailed over the chinks and cracks. Others were of a lighter frame covered with clapboards, or in Delaware with boards pinned on perpendicularly. Soon this house was doubled in size and comfort by having a room on either side of the chimney.
Each settlement often followed in general outline as well as detail the houses to which the owners had become accustomed in Europe, with, of course, such variations as were necessary from the new surroundings, new climate, and new limitations. New York was settled by the Dutch, and therefore naturally the first permanent houses were Dutch in shape, such as may be seen in Holland to-day. In the large towns in New Netherland the houses were certainly very pretty, as all visitors stated who wrote accounts at that day. Madam Knights visited New York in 1704, and wrote of the houses,--I will give her own words, in her own spelling and grammar, which were not very good, though she was the teacher of Benjamin Franklin, and the friend of Cotton Mather:--
"The Buildings are Brick Generaly very stately and high: the Bricks in some of the houses are of divers Coullers, and laid in Checkers, being glazed, look very agreable. The inside of the houses is neat to admiration, the wooden work; for only the walls are plaster'd; and the Sumers and Gist are planed and kept very white scour'd as so is all the partitions if made of Bords."
The "sumers and gist" were the heavy timbers of the frame, the summer-pieces and joists. The summer-piece was the large middle beam in the middle from end to end of the ceiling; the joists were cross-beams. These were not covered with plaster as nowadays, but showed in every ceiling; and in old houses are sometimes set so curiously and fitted so ingeniously, that they are always an entertaining study. Another traveller says that New York houses had patterns of colored brick set in the front, and also bore the date of building. The Governor's house at Albany had two black brick-hearts. Dutch houses were set close to the sidewalk with the gable-end to the street; and had the roof notched like steps,--corbel-roof was the name; and these ends were often of brick, while the rest of the walls were of wood. The roofs were high in proportion to the side walls, and hence steep; they were surmounted usually in Holland fashion with weather-vanes in the shape of horses, lions, geese, sloops, or fish; a rooster was a favorite Dutch weather-vane. There were metal gutters sticking out from every roof almost to the middle of the street; this was most annoying to passers-by in rainy weather, who were deluged with water from the roofs. The cellar windows had small loop-holes with shutters. The windows were always small; some had only sliding shutters, others had but two panes or quarels of glass, as they were called, which were only six or eight inches square. The front doors were cut across horizontally in the middle into two parts, and in early days were hung on leather hinges instead of iron.
In the upper half of the door were two round bull's-eyes of heavy greenish glass, which let faint rays of light enter the hall. The door opened with a latch, and often had also a knocker. Every house had a porch or "stoep" flanked with benches, which
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