Holidays in Eastern France | Page 9

in all that concerned the history of this city in the desert, drew his attention to the following passage in the geographical work of a learned Tunisian, dating from the sixth century of the Hegira, that is to say, the twelfth of our era. "Ghadamès--from this city come the painted leathers or Ghadamesien." M. Duveyrier accepted this etymology of the word as the most natural, seeing that the Moors of Spain, and especially of Cordova, had constant intercourse with the inhabitants of North Africa, and would naturally receive these with other artistic curiosities. The Arab dictionary of Freytag confirms M. Duveyrier's etymology, the author thus describing Ghadamès--"Nomen oppidi in Africa, unde pelles gudsamiticae appellatae sunt."
Whatever its origin, we find the fabrication of these guadamaciles very flourishing at Cordova in the sixteenth century. The preparation of sheep and goat-skins for artistic purposes was a source of considerable commercial wealth to this city, and they were largely exported to various parts of Europe and India. A writer of that period describes the glowing effect of the Cordovan streets tapestried with the richly gilt and painted skins hung out to dry before packing; whilst Cervantes is supposed to have one in his mind, when thus describing the heroine of one of his plays, "Enter Hortigosa, wearing a guadamacile, &c." Rabelais also alludes to the subject in Pantagruel:--"De la peau de ces moutons seront faictes les beaux maroquins, lesquels on vendra pour maroquins Turquins ou de Montelimart, ou de Hespaigne."
The guadamaciles, although leather-work was fabricated in several cities of France, also of Italy and Belgium, ever remained a speciality of Spain, Seville, Barcelona, Lerida, Ciudad-Real, and Valladolid bearing the palm after Cordova. Such works are characterized by elaborateness, splendour of colour and richness of detail. The curious may consult the Recherches sur le Cuir doré, anciennement appelé Cuir basané, by M. de la Quérière, also M. Jacquemart's Histoire du Mobilier, in which is found a very exact representation of a specimen, probably Italian. The art decayed in Spain after the expulsion of the Moors in 1610, but was introduced in various parts of France by some of the exiled artists, and it may be said to have died out in France about the end of the last century.
Se?or Ria?o's handbook to the Spanish collection in the South Kensington Museum gives a list with details of the specimens there exhibited, numbering upwards of twenty panels and borders for furniture. These are chiefly seventeenth century work-tables, exceedingly interesting and valuable. All lovers of art, furniture, and decoration generally can but echo M. Davilliers' hope that the art of painting and stamping on leather may be ere long revived at Cordova.
So much for the artistic treat in store for those art-lovers who find their way to the Chateau of Ferrières, where none will fail to add to his previous stock of knowledge. Art-lovers cannot study the exquisite design, elaborate workmanship, and splendid materials of the furniture, decoration, and general fittings up of such a palace without some sadness. How little that is new and modern can here be compared with the old, whether we regard mere carpentry detail or solidity! This is strikingly illustrated in the Japanese cloisonné work of which there are some choice specimens.
Two refinements of civilization will amuse the stranger; the first is a railway in miniature from kitchens to dining-rooms, by means of which the dishes are conveyed to the latter with the utmost possible dispatch. The temper indeed of these happy diners should be ineffably serene, considering that they can never be ruffled by soups or fish coming to table one degree less hot than the most epicurean palate could desire. Luxury can go no farther, unless, which may be invented some day, a patent appetite and digesting apparatus were supplied, enabling host and guests to sit down every day to the feasts spread before them with undiminished relish and perfect impunity.
The second amusing, or rather surprising, fact is that of the luxurious, though I venture to say somewhat floridly decorated ladies smoking room? Were we dreaming? Or was it our informant who was but half awake or in error? I believe not, and that the elegant and princely Chateau de Ferrières thus acknowledges the fact of lady smokers!
CHAPTER II.
NOISIEL: THE CITY OF CHOCOLATE.
When not disposed to go far a-field in search of pleasure or instruction, we find plenty to interest us close at hand. Even in this quiet little village there is always something going on, a fête patronale, a ball, a prize-distribution, or other local event. The Ecole Communale for both boys and girls has just closed for the holidays, so last Sunday--the season in July--the prizes were given away with much ceremony. A tent was decorated with tricolour flags, evergreens, and garlands, the village band escorted thither the Mayor