History of the Girondists, Volume I | Page 4

was in vain that he clung to the tribune. The last memorial he addressed to the king, which the Iron Chest has surrendered to us, together with the secret of his venality, testify the failure and dejection of his mind. His counsels are versatile, incoherent, and almost childish:--now he will arrest the Revolution with a grain of sand--now he places the salvation of the Monarchy in a proclamation of the crown and a regal ceremony which shall revive the popularity of the king,--.and now he is desirous of buying the acclamations of the tribune, and believes the nation, like him, to be purchasable at a price. The pettiness of his means of safety are in contrast with the vast increase of perils; there is a vagueness in every idea; we see that he is impelled by the very passions he has excited, and that unable any longer to guide or control them, he betrays, whilst he is yet unable to crush, them. The prime agitator is now but the alarmed courtier seeking shelter beneath the throne, and though still stuttering out terrible words in behalf of the nation and liberty, which are in the part set down for him, has already in his soul all the paltriness and the thoughts of vanity which are proper to a court. We pity genius when we behold it struggling with impossibility. Mirabeau was the most potent man of his time; but the greatest individual contending with an enraged element appears but a madman. A fall is only majestic when accompanied by virtue.
Poets say that clouds assume the form of the countries over which they have passed, and moulding themselves upon the valleys, plains, or mountains, acquire their shapes and move with them over the skies. This resembles certain men, whose genius being as it were acquisitive, models itself upon the epoch in which it lives, and assumes all the individuality of the nation to which it belongs. Mirabeau was a man of this class: he did not invent the Revolution, but was its manifestation. But for him it might perhaps have remained in a state of idea and tendency. He was born, and it took in him the form, the passion, the language which make a multitude say when they see a thing--There it is.
He was born a gentleman and of ancient lineage, refugee and established in Provence, but of Italian origin: the progenitors were Tuscan. The family was one of those whom Florence had cast from her bosom in the stormy excesses of her liberty, and for which Dante reproaches his country in such bitter strains for her exiles and persecutions. The blood of Machiavel and the earthquake genius of the Italian republics were characteristics of all the individuals of this race. The proportions of their souls exceed the height of their destiny: vices, passions, virtues are all in excess. The women are all angelic or perverse, the men sublime or depraved, and their language even is as emphatic and lofty as their aspirations. There is in their most familiar correspondence the colour and tone of the heroic tongues of Italy.
The ancestors of Mirabeau speak of their domestic affairs as Plutarch of the quarrels of Marius and Sylla, of C?sar and Pompey. We perceive the great men descending to trifling matters. Mirabeau inspired this domestic majesty and virility in his very cradle. I dwell on these details, which may seem foreign to this history, but explain it. The source of genius is often in ancestry, and the blood of descent is sometimes the prophecy of destiny.
III.
Mirabeau's education was as rough and rude as the hand of his father, who was styled the friend of man, but whose restless spirit and selfish vanity rendered him the persecutor of his wife and the tyrant of all his family. The only virtue he was taught was honour, for by that name in those days they dignified that ceremonious demeanour which was too frequently but the show of probity and the elegance of vice. Entering the army at an early age, he acquired nothing of military habits except a love of licentiousness and play. The hand of his father was constantly extended not to aid him in rising, but to depress him still lower under the consequences of his errors: his youth was passed in the prisons of the state; his passions, becoming envenomed by solitude, and his intellect being rendered more acute by contact with the irons of his dungeon, where his mind lost that modesty which rarely survives the infamy of precocious punishments.
Released from gaol, in order, by his father's command, to attempt to form a marriage beset with difficulties with Mademoiselle De Marignan, a rich heiress of one of the greatest families of Provence, he displayed, like a wrestler, all kinds of stratagems