Historical Mysteries | Page 3

by Robert Scarrat. The difficulty is that the neighbours' accounts of what Elizabeth said in her woful condition were given when the girl was tried for perjury in April-May 1754. We must therefore make allowance for friendly bias and mythopoeic memory. On January 31, 1753, Elizabeth made her statement before Alderman Chitty, and the chief count against her is that what she told Chitty did not tally with what the neighbours, in May 1754, swore that she told them when she came home on January 29, 1753. This point is overlooked by Mr. Paget in his essay on the subject.[1]
[Footnote 1: Puzzles and Paradoxes, pp. 317-336, Blackwoods, 1874.]
On the other hand, by 1754 the town was divided into two factions, believers and disbelievers in Elizabeth; and Chitty was then a disbeliever. Chitty took but a few notes on January 31, 1753. 'I did not make it so distinct as I could wish, not thinking it could be the subject of so much inquiry,' he admitted in 1754. Moreover, the notes which he then produced were not the notes which he made at the time, 'but what I took since from that paper I took then' (January 31, 1753) 'of hers and other persons that were brought before me.' This is not intelligible, and is not satisfactory. If Elizabeth handed in a paper, Chitty should have produced it in 1754. If he took notes of the evidence, why did he not produce the original notes?
These notes, made when, and from what source, is vague, bear that Elizabeth's tale was this: At a dead wall by Bedlam, in Moorfields, about ten P.M., on January 1, 1753, two men stripped her of gown, apron, and hat, robbed her of thirteen shillings and sixpence, 'struck her, stunned her, and pushed her along Bishopsgate Street.' She lost consciousness--one of her 'fits'--and recovered herself (near Enfield Wash). Here she was taken to a house, later said to be 'Mother Wells's,' where 'several persons' were. Chitty, unluckily, does not say what sort of persons, and on that point all turns. She was asked 'to do as they did,' 'a woman forced her upstairs into a room, and cut the lace of her stays,' told her there were bread and water in the room, and that her throat would be cut if she came out. The door was locked on her. (There was no lock; the door was merely bolted.) She lived on fragments of a quartern loaf and water 'in a pitcher,' with the mince-pie bought for her naughty little brother. She escaped about four in the afternoon of January 29. In the room were 'an old stool or two, an old picture over the chimney,' two windows, an old table, and so on. She forced a pane in a window, 'and got out on a small shed of boards or penthouse,' and so slid to the ground. She did not say, the alderman added, that there was any hay in the room. Of bread there were 'four or five' or 'five or six pieces.' 'She never mentioned the name of Wells.' Some one else did that at a venture. 'She said she could tell nothing of the woman's name.' The alderman issued a warrant against this Mrs. Wells, apparently on newspaper suggestion.
The chief points against Elizabeth were that, when Wells's place was examined, there was no penthouse to aid an escape, and no old picture. But, under a wretched kind of bed, supporting the thing, was a picture, on wood, of a Crown. Madam Wells had at one time used this loyal emblem as a sign, she keeping a very ill-famed house of call. But, in December 1745, when certain Highland and Lowland gentlemen were accompanying bonny Prince Charlie towards the metropolis, Mrs. Wells removed into a room the picture of the Crown, as being apt to cause political emotions. This sign may have been 'the old picture.' As to hay, there was hay in the room later searched; but penthouse there was none.
That is the worst point in the alderman's notes, of whatever value these enigmatic documents may be held.
One Nash, butler to the Goldsmiths' Company, was present at the examination before Chitty on January 31, 1753. He averred, in May 1754, what Chitty did not, that Elizabeth spoke of the place of her imprisonment as 'a little, square, darkish room,' with 'a few old pictures.' Here the one old picture of the notes is better evidence, if the notes are evidence, than Nash's memory. But I find that he was harping on 'a few old pictures' as early as March 1753. Elizabeth said she hurt her ear in getting out of the window, and, in fact, it was freshly cut and bleeding when she arrived at home.
All this of Nash is, so far, the