His Masterpiece | Page 4

Emile Zola
against the other bank, were lighters, laden with coals, and barges full of mill stone, dominated as it were by the gigantic arm of a steam crane. But, suddenly, everything disappeared again.
Claude had an instinctive distrust of women--that story of an accident, of a belated train and a brutal cabman, seemed to him a ridiculous invention. At the second thunder-clap the girl had shrunk farther still into her corner, absolutely terrified.
'But you cannot stop here all night,' he said.
She sobbed still more and stammered, 'I beseech you, monsieur, take me to Passy. That's where I was going.'
He shrugged his shoulders. Did she take him for a fool? Mechanically, however, he turned towards the Quai des Celestins, where there was a cabstand. Not the faintest glimmer of a lamp to be seen.
'To Passy, my dear? Why not to Versailles? Where do you think one can pick up a cab at this time of night, and in such weather?'
Her only answer was a shriek; for a fresh flash of lightning had almost blinded her, and this time the tragic city had seemed to her to be spattered with blood. An immense chasm had been revealed, the two arms of the river stretching far away amidst the lurid flames of a conflagration. The smallest details had appeared: the little closed shutters of the Quai des Ormes, and the two openings of the Rue de la Masure, and the Rue du Paon-Blanc, which made breaks in the line of frontages; then near the Pont Marie one could have counted the leaves on the lofty plane trees, which there form a bouquet of magnificent verdure; while on the other side, beneath the Pont Louis Philippe, at the Mail, the barges, ranged in a quadruple line, had flared with the piles of yellow apples with which they were heavily laden. And there was also the ripple of the water, the high chimney of the floating washhouse, the tightened chain of the dredger, the heaps of sand on the banks, indeed, an extraordinary agglomeration of things, quite a little world filling the great gap which seemed to stretch from one horizon to the other. But the sky became dark again, and the river flowed on, all obscurity, amid the crashing of the thunder.
'Thank heaven it's over. Oh, heaven! what's to become of me?'
Just then the rain began to fall again, so stiffly and impelled by so strong a wind that it swept along the quay with the violence of water escaping through an open lock.
'Come, let me get in,' said Claude; 'I can stand this no longer.'
Both were getting drenched. By the flickering light of the gas lamp at the corner of the Rue de la Femme-sans-Tete the young man could see the water dripping from the girl's dress, which was clinging to her skin, in the deluge that swept against the door. He was seized with compassion. Had he not once picked up a cur on such a stormy night as this? Yet he felt angry with himself for softening. He never had anything to do with women; he treated them all as if ignorant of their existence, with a painful timidity which he disguised under a mask of bravado. And that girl must really think him a downright fool, to bamboozle him with that story of adventure--only fit for a farce. Nevertheless, he ended by saying, 'That's enough. You had better come in out of the wet. You can sleep in my rooms.'
But at this the girl became even more frightened, and threw up her arms.
'In your rooms? Oh! good heavens. No, no; it's impossible. I beseech you, monsieur, take me to Passy. Let me beg of you.'
But Claude became angry. Why did she make all this fuss, when he was willing to give her shelter? He had already rung the bell twice. At last the door opened and he pushed the girl before him.
'No, no, monsieur; I tell you, no--'
But another flash dazzled her, and when the thunder growled she bounded inside, scarce knowing what she was about. The heavy door had closed upon them, she was standing under a large archway in complete darkness.
'It's I, Madame Joseph,' cried Claude to the doorkeeper. Then he added, in a whisper, 'Give me your hand, we have to cross the courtyard.'
The girl did as she was told; she no longer resisted; she was overwhelmed, worn out. Once more they encountered the diluvian rain, as they ran side by side as hard as they could across the yard. It was a baronial courtyard, huge, and surrounded with stone arcades, indistinct amidst the gloom. However, they came to a narrow passage without a door, and he let go her hand. She could hear him trying to strike some matches, and swearing. They were all damp. It was necessary
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