Hindu Gods and Heroes | Page 4

of the Fifth Dynasty, and was deified after death, just like any other king of Egypt. The early Egyptians, like many savage tribes, regarded all their kings as gods on earth and paid them formal worship after their death; the later Egyptians, going a step further, worshipped them even in their lifetime as embodiments of the gods.[3] What is said in the liturgy for the deification of Unas is much the same as was said of other kings. The dead king in early Egypt becomes a god, even the greatest of the gods, and he assumes the name of that god[4]; he overcomes the other gods by brute force, he kills and devours them. This is very like what I think was the case with Zeus; the main difference is that in Egypt the character of the deified king was merged in that of the old god, and men continued to regard the latter in exactly the same light as before; but among the forefathers of the Greeks the reverse happened in at least one case, that of Zeus, where the character of a hero who had peculiarly fascinated popular imagination partly eclipsed that of the old god whose name and rank he usurped. The reason for this, I suppose, is that even the early Egyptians had already a conservative religion with fixed traditions and a priesthood that forgot nothing,[5] whereas among the forefathers of the Greeks, who were wandering savages, social order and religion were in a very fluid state. However that may be, a deified hero might oust an older god and reign under his name; and this theory explains many difficulties in the legends of Zeus.
[Footnote 2: Sir E. A. W. Budge, Literature of the Ancient Egyptians, p. 21 ff., and Gods of the Egyptians, i, pp. 32 f., 43.]
[Footnote 3: Erman, Handbook of Egyptian Religion, p. 37 f.]
[Footnote 4: Budge, Lit. of the Egyptians, p. 21; Erman, ut supra, p. 37 f.]
[Footnote 5: It is even possible that in one case, that of Osiris, a hero in Egypt may have eclipsed by his personality the god whom he ousted. See Sir J. W. Frazer's Adonis, Attis, Osiris, ii, p. 200, and Sir W. Ridgeway's Dramas and Dramatic Dances, etc., p. 94 ff.]
As to the Roman Iuppiter, I need not say much about him. Like all the genuine gods of Latium, he never was much more than an abstraction until the Greeks came with their literature and dressed him in the wardrobe of their Zeus.
Coming now to Ushas, the Lady of the Dawn, and looking at her name from the standpoint of comparative philosophy, we see that the word ushas is closely connected with the Greek [Greek: he?s] and the Latin aurora. But when we read the literature, we are astonished to find that while the Greek Dawn-lady has remained almost always a mere abstraction, the Indian spirit is a lovely, living woman instinct with the richest sensuous charms of the East. Some twenty hymns are addressed to her, and for the most part they are alive with real poetry, with a sense of beauty and gladness and sometimes withal an under-note of sadness for the brief joys of life. But when we look carefully into it we notice a curious thing: all this hymn-singing to Ushas is purely literary and artistic, and there is practically no religion at all at the back of it. A few stories are told of her, but they seem to convince no one, and she certainly has no ritual worship apart from these hymns, which are really poetical essays more than anything else. The priestly poets are thrilled with sincere emotion at the sight of the dawn, and are inspired by it to stately and lively descriptions of its beauties and to touching reflections upon the passing of time and mortal life; but in this scene Ushas herself is hardly more than a model from an artist's studio, in a very Bohemian quarter. More than once on account of her free display of her charms she is compared to a dancing girl, or even a common harlot! Here the imagination is at work which in course of time will populate the Hindu Paradise with a celestial corps de ballet, the fair and frail Apsarasas. Our Vedic Ushas is a forerunner of that gay company. A charming person, indeed; but certainly no genuine goddess.
As his name shows, Surya is the spirit of the sun. We hear a good deal about him in the Rig-veda, but the whole of it is merely description of the power of the sun in the order of nature, partly allegorical, and partly literal. He is only a nature-power, not a personal god. The case is not quite so clear with Savita, whose name seems to mean literally