rude, but not uneventful, for the village is part of a tribe, and tribes are constantly fighting with one another, as well as with the dark-skinned men who often try to drive back the Aryans, sometimes in small forays and sometimes in massed hordes. But the world in which the village is interested is a small one, and hardly extends beyond the bounds of the land where its tribe dwells. It knows something of the land of the Five Rivers, in one corner of which it lives, and something even of the lands to the north of it, and to the west as far as the mountains and deserts, where live men of its own kind and tongue; but beyond these limits it has no knowledge. Only a few bold spirits have travelled eastward across the high slope that divides the land of the Five Rivers from the strange and mysterious countries around the great rivers Ganga and Yamuna, the unknown land of deep forests and swarming dark-skinned men.
In the matter of religion these Aryans care a good deal about charms and spells, black and white magic, for preventing or curing all kinds of diseases or mishaps, for winning success in love and war and trade and husbandry, for bringing harm upon enemies or rivals--charms which a few centuries later will be dressed up in Rigvedic style, stuffed out with imitations of Rigvedic hymns, and published under the name of Atharva veda, "the lore of the Atharvans," by wizards who claim to belong to the old priestly clans of Atharvan and Angiras. But we have not yet come so far, and as yet all that these people can tell us is a great deal about their black and white magic, in which they are hugely interested, and a fair amount about certain valiant men of olden times who are now worshipped by them as helpful spirits, and a little about some vague spirits who are in the sun and the air and the fire and other places, and are very high and great, but are not interesting at all.
This popular religion seems to be a hopeless one, without ideals and symbols of love and hope. Is there nothing better to be found in this place? Yes, there is a priestly religion also; and if we would know something about it we must listen to the chanting of the priests, the brahmans or men of the "holy spirit," as they are called, who are holding a sacrifice now on behalf of the rich lord who lives in the largest house in the village--a service for which they expect to be paid with a handsome fee of oxen and gold. They are priests by heredity, wise in the knowledge of the ways of the gods; some of them understand how to compose riks, or hymns, in the fine speech dear to their order, hymns which are almost sure to win the gods' favour, and all of them know how the sacrifices shall be performed with perfect exactness so that no slip or imperfection may mar their efficacy. Their psalms are called Rig-veda, "lore of the verses," and they set themselves to find grace in the ears of the many gods whom these priests worship, sometimes by open praise and sometimes by riddling description of the exploits and nature of the gods. Often they are very fine; but always they are the work of priests, artists in ritual. And if you look heedfully into it you will also mark that these priests are inclined to think that the act of sacrifice, the offering of, say, certain oblations in a particular manner with particular words accompanying them, is in itself potent, quite apart from the psalms which they sing over it, that it has a magic power of its own over the machinery of nature.[1] Really this is no new idea of our Vedic priests; ten thousand years before them their remote forefathers believed it and acted upon it, and if for example they wanted rain they would sprinkle drops of water and utter magic words. Our Vedic priests have now a different kind of symbols, but all the same they still have the notion that ceremony, rita as they call it, has a magic potency of its own. Let us mark this well, for we shall see much issuing from it.
[Footnote 1: Cf. e.g. RV. III. xxxii. 12.]
Who are the gods to whom these priests offer their prayers and psalms? They are many, and of various kinds. Most of them are taken from the religion of the people, and dressed in new garb according to the imagination of the priest; and a few are priestly inventions altogether. There is Dyaush-pita, the Sky-father, with Prithivi Mata, the Earth-mother; there are Vayu the Wind-spirit, Parjanya
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