Heart and Science | Page 8

she said, "let us get out of this dreadful room, and be reminded of Italy!" Teresa lifted her ugly hands in bewilderment. "Reminded of Italy--in London?"
"Is there no Italian music in London?" Carmina asked suggestively.
The duenna's bright eyes answered this in their own language. She snatched up the nearest newspaper.
It was then the height of the London concert season. Morning performances of music were announced in rows. Reading the advertised programmes, Carmina found them, in one remarkable respect, all alike. They would have led an ignorant stranger to wonder whether any such persons as Italian composers, French composers, and English composers had ever existed. The music offered to the English public was music of exclusively German (and for the most part modern German) origin. Carmina held the opinion--in common with Mozart and Rossini, as well as other people--that music without melody is not music at all. She laid aside the newspaper.
The plan of going to a concert being thus abandoned, the idea occurred to them of seeing pictures. Teresa, in search of information, tried her luck at a great table in the middle of the room, on which useful books were liberally displayed. She returned with a catalogue of the Royal Academy Exhibition (which someone had left on the table), and with the most universally well-informed book, on a small scale, that has ever enlightened humanity--modestly described on the title-page as an Almanac.
Carmina opened the catalogue at the first page, and discovered a list of Royal Academicians. Were all these gentlemen celebrated painters? Out of nearly forty names, three only had made themselves generally known beyond the limits of England. She turned to the last page. The works of art on show numbered more than fifteen hundred. Teresa, looking over her shoulder, made the same discovery. "Our heads will ache, and our feet will ache," she remarked, "before we get out of that place." Carmina laid aside the catalogue.
Teresa opened the Almanac at hazard, and hit on the page devoted to Amusements. Her next discovery led her to the section inscribed "Museums." She scored an approving mark at that place with her thumbnail--and read the list in fluent broken English.
The British Museum? Teresa's memory of that magnificent building recalled it vividly in one respect. She shook her head. "More headache and footache, there!" Bethnal Green; Indian Museum; College of Surgeons; Practical Geology; South Kensington; Patent Museum--all unknown to Teresa. "The saints preserve us! what headaches and footaches in all these, if they are as big as that other one!" She went on with the list--and astonished everybody in the room by suddenly clapping her hands. Sir John Soane's Museum, Lincoln's Inn Fields. "Ah, but I remember that! A nice little easy museum in a private house, and all sorts of pretty things to see. My dear love, trust your old Teresa. Come to Soane!"
In ten minutes more they were dressed, and on the steps of the hotel. The bright sunlight, the pleasant air, invited them to walk. On the same afternoon, when Ovid had set forth on foot for Lincoln's Inn Fields, Carmina and Teresa set forth on foot for Lincoln's Inn Fields. Trivial obstacles had kept the man away from the College. Would trivial obstacles keep the women away from the Museum?
They crossed the Strand, and entered a street which led out of it towards the North; Teresa's pride in her memory forbidding her thus far to ask their way.
Their talk--dwelling at first on Italy, and on the memory of Carmina's Italian mother--reverted to the formidable subject of Mrs. Gallilee. Teresa's hopeful view of the future turned to the cousins, and drew the picture of two charming little girls, eagerly waiting to give their innocent hearts to their young relative from Italy. "Are there only two?" she said. "Surely you told me there was a boy, besides the girls?" Carmina set her right. "My cousin Ovid is a great doctor," she continued with an air of importance. "Poor papa used to say that our family would have reason to be proud of him." "Does he live at home?" asked simple Teresa. "Oh, dear, no! He has a grand house of his own. Hundreds of sick people go there to be cured, and give hundreds of golden guineas." Hundreds of golden guineas gained by only curing sick people, represented to Teresa's mind something in the nature of a miracle: she solemnly raised her eyes to heaven. "What a cousin to have! Is he young? is he handsome? is he married?"
Instead of answering these questions, Carmina looked over her shoulder. "Is this poor creature following us?" she asked.
They had now turned to the right, and had entered a busy street leading directly to Covent Garden. The "creature" (who was undoubtedly following them) was one of the starved and vagabond dogs of