Harriet and the Piper

Harriet and the Piper

The Project Gutenberg EBook of Harriet and the Piper, by Kathleen Norris #10 in our series by Kathleen Norris
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Harriet and the Piper (Norris Volume XI)
Author: Kathleen Norris
Release Date: February, 2004 [EBook #5006] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 8, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK HARRIET AND THE PIPER ***

Produced by Charles Franks and the Online Distributed Proofreading Team.

THE WORKS OF KATHLEEN NORRIS
HARRIET AND THE PIPER
VOLUME XI

TO
DANIEL WEBB NYE
DEAR MAKER OF BOOKS AND FRIENDS

HARRIET AND THE PIPER

CHAPTER I
Richard Carter had called the place "Crownlands," not to please himself, or even his wife. But it was to his mother's newly born family pride that the idea of being the Carters of Crownlands made its appeal. The estate, when he bought it, had belonged to a Carter, and the tradition was that two hundred years before it had been a grant of the first George to the first of the name in America. Madame Carter, as the old lady liked to be called, immediately adopted the unknown owner into a vague cousinship, spoke of him as "a kinsman of ours," and proceeded to tell old friends that Crownlands had always been "in the family."
It was a home hardly deserving of the pretentious name, although it was beautiful enough, and spacious enough, for notice, even among the magnificent neighbours that surrounded it. It was of creamy brick, colonial in design, and set in splendid lawns and great trees on the bank of the blue Hudson. White driveways circled it, great stables and garages across a curve of green meadows had their own invisible domain, and on the shining highway there was a full mile of high brick fence, a marching line of great maples and sycamores, and a demure lodge beside the mighty iron gates.
Much of this was as Richard Carter had found it five years ago, but about the house, inside and out, his wife had made changes, had lent the place something of her own individuality and charm. It was Isabelle Carter who had visualized the window-boxes and the awnings, the walks where emerald grass spouted between the bricks, the terrace with its fat balustrade and shallow marble steps descending to the river. Great stone jars, spilling the brilliant scarlet of geraniums, flanked the steps, and the shadows of the mighty trees fell clear and sharp across the marble. And on a soft June afternoon, sitting in the silence and the fragrance with boats plying up and down the river, and birds twittering and flashing at the brim of the fountain, one might have dreamed one's self in some forgotten Italian garden rather than a short two hours' trip away from the busiest and most congested city of the world.
On one of the wide benches that were placed here and there on the descending terraces, in the late hours of an exquisite summer afternoon, a man and a woman were sitting. They had strolled slowly from the tennis court, where half-a-dozen young persons were violently exercising themselves in the sunshine, with the vague intention of reaching the tea table, on the upper level. But here, in the clear shade, Isabelle Carter had suddenly seated herself, and Anthony Pope, her cavalier, had thrown himself on the steps at her feet.
She was a woman worthy of the exquisite setting, and in her richly coloured gown, against the clear cream of the marble, the new green of the trees and lawns, and the brilliant hues of the flowers, she might well have turned an older head than that of the boy beside her. Brunette, with smooth cheeks deeply touched with rose, black eyes, and a warmly crimson mouth that could be at once provocative and relentless, she glowed like a flower herself in the sweet and enervating heat of the summer's first warm day. She wore a filmy gown of a dull cream colour, with daring