proper character of a history; the references are chiefly used either where wishing pointedly to distinguish from invention what was borrowed from a chronicle, or when differing from some popular historian to whom the reader might be likely to refer, it seemed well to state the authority upon which the difference was founded. [4]
In fact, my main object has been one that compelled me to admit graver matter than is common in romance, but which I would fain hope may be saved from the charge of dulness by some national sympathy between author and reader; my object is attained, and attained only, if, in closing the last page of this work, the reader shall find that, in spite of the fictitious materials admitted, he has formed a clearer and more intimate acquaintance with a time, heroic though remote, and characters which ought to have a household interest to Englishmen, than the succinct accounts of the mere historian could possibly afford him.
Thus, my dear D'Eyncourt, under cover of an address to yourself, have I made to the Public those explanations which authors in general (and I not the least so) are often overanxious to render.
This task done, my thoughts naturally fly back to the associations I connected with your name when I placed it at the head of this epistle. Again I seem to find myself under your friendly roof; again to greet my provident host entering that gothic chamber in which I had been permitted to establish my unsocial study, heralding the advent of majestic folios, and heaping libraries round the unworthy work. Again, pausing from my labour, I look through that castle casement, and beyond that feudal moat, over the broad landscapes which, if I err not, took their name from the proud brother of the Conqueror himself; or when, in those winter nights, the grim old tapestry waved in the dim recesses, I hear again the Saxon thegn winding his horn at the turret door, and demanding admittance to the halls from which the prelate of Bayeux had so unrighteously expelled him [5]--what marvel, that I lived in the times of which I wrote, Saxon with the Saxon, Norman with the Norman--that I entered into no gossip less venerable than that current at the Court of the Confessor, or startled my fellow-guests (when I deigned to meet them) with the last news which Harold's spies had brought over from the Camp at St. Valery? With all those folios, giants of the gone world, rising around me daily, more and more, higher and higher--Ossa upon Pelion--on chair and table, hearth and floor; invasive as Normans, indomitable as Saxons, and tall as the tallest Danes (ruthless host, I behold them still!)--with all those disburied spectres rampant in the chamber, all the armour rusting in thy galleries, all those mutilated statues of early English kings (including St. Edward himself)--niched into thy grey, ivied walls--say in thy conscience, O host, (if indeed that conscience be not wholly callous!) shall I ever return to the nineteenth century again?
But far beyond these recent associations of a single winter (for which heaven assoil thee!) goes the memory of a friendship of many winters, and proof to the storms of all. Often have I come for advice to your wisdom, and sympathy to your heart, bearing back with me, in all such seasons, new increase to that pleasurable gratitude which is, perhaps, the rarest, nor the least happy sentiment, that experience leaves to man. Some differences, it may be,--whether on those public questions which we see, every day, alienating friendships that should have been beyond the reach of laws and kings;--or on the more scholastic controversies which as keenly interest the minds of educated men,--may at times deny to us the idem velle, atque idem nolle; but the firma amicitia needs not those common links; the sunshine does not leave the wave for the slight ripple which the casual stone brings a moment to the surface.
Accept, in this dedication of a work which has lain so long on my mind, and been endeared to me from many causes, the token of an affection for you and yours, strong as the ties of kindred, and lasting as the belief in truth. E. B. L.
PREFACE TO THE THIRD EDITION.
The author of an able and learned article on MABILLON [6] in the "Edinburgh Review," has accurately described my aim in this work; although, with that generous courtesy which characterises the true scholar, in referring to the labours of a contemporary, he has overrated my success. It was indeed my aim "to solve the problem how to produce the greatest amount of dramatic effect at the least expense of historical truth"--I borrow the words of the Reviewer, since none other could so tersely express my design, or so clearly account
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