from October to March; so I ast him what he thought my Missus would say when I told her I couldn't get enough o' hem' away from home from March to October, so I was figurin' on travelin' the vaudeville circuit the other four or five months and makin' it unanimous? Art says I was tied to a woman's apron and all that stuff, but I give him the cold stare and he had to pass up that dandy little scheme.
"At that, I guess we could of got by on the stage all right. Mike was better than this here Waldron and I hadn't wore my voice out yet on the coachin' line, tellin' the boys to touch all the bases.
"They was about five or six songs that we could kill. 'Adeline' was our star piece. Remember where it comes in, 'Your fair face beams'? Mike used to go away up on 'fair.' Then they was 'The Old Millstream' and 'Put on Your Old Gray Bonnet.' I done some fancy work in that one. Then they was 'Down in Jungle Town' that we had pretty good. And then they was one that maybe you never heard. I don't know the name of it. It run somethin' like this."
Bill sottoed his voice so that I alone could hear the beautiful refrain:
"'Years, years, I've waited years
Only to see you, just to call you 'dear.'
Come, come, I love but thee,
Come to your sweetheart's arms; come back to me.'
"That one had a lot o' wallops in it, and we didn't overlook none o' them. The boys used to make us sing it six or seven times a night. But 'Down in the Cornfield' was Art's favor-ight. They was a part in that where I sung the lead down low and the other three done a banjo stunt. Then they was 'Castle on the Nile' and 'Come Back to Erin' and a whole lot more.
"Well, the four of us wasn't hardly ever separated for three years. We was practisin' all the w'ile like as if we was goin' to play the big time, and we never made a nickel off'n it. The only audience we had was the ball players or the people travelin' on the same trains or stoppin' at the same hotels, and they got it all for nothin'. But we had a good time, 'specially Art.
"You know what a pitcher Mike was. He could go in there stone cold and stick ten out o' twelve over that old plate with somethin' on 'em. And he was the willin'est guy in the world. He pitched his own game every third or fourth day, and between them games he was warmin' up all the time to go in for somebody else. In 1911, when we was up in the race for aw'ile, he pitched eight games out o' twenty, along in September, and win seven o' them, and besides that, he finished up five o' the twelve he didn't start. We didn't win the pennant, and I've always figured that them three weeks killed Mike.
"Anyway, he wasn't worth nothin' to the club the next year; but they carried him along, hopin' he'd come back and show somethin'. But he was pretty near through, and he knowed it. I knowed it, too, and so did everybody else on the club, only Graham. Art never got wise till the trainin' trip two years ago this last spring. Then he come to me one day.
"'Bill,' he says, 'I don't believe Mike's comin' back.'
"'Well,' I says, 'you're gettin's so's they can't nobody hide nothin' from you. Next thing you'll be findin' out that Sam Crawford can hit.'
"'Never mind the comical stuff,' he says. 'They ain't no joke about this!'
"'No,' I says, 'and I never said they was. They'll look a long w'ile before they find another pitcher like Mike.'
"'Pitcher my foot!' says Art. 'I don't care if they have to pitch the bat boy. But when Mike goes, where'll our quartette be?'
"'Well,' I says, 'do you get paid every first and fifteenth for singin' or for crownin' that old pill?'
"'If you couldn't talk about money, you'd be deaf and dumb,' says Art.
"'But you ain't playin' ball because it's fun, are you?'
"'No,' he says, 'they ain't no fun for me in playin' ball. They's no fun doin' nothin' but harmonizin', and if Mike goes, I won't even have that.'
"'I and you and Lefty can harmonize,' I says.
"'It'd be swell stuff harmonizin' without no tenor,' says Art. 'It'd be like swingin' without no bat.'
"Well, he ast me did I think the club'd carry Mike through another season, and I told him they'd already carried him a year without him hem' no good to them, and I figured if he didn't show somethin' his first time out, they'd ask for waivers.
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