Harlequin and Columbine | Page 6

into Miss Lyston's place that no one had noticed. She was indefinite of outline still, in the sparse light of that cavernous place; and, with a veil lifted just to the level of her brows, under a shadowing black hat, not much was to be clearly discerned of her except that she was small and pale and had bright eyes. But even the two words she spoke proved the peculiar quality of her voice: it was like the tremolo of a zither string; and at the sound of it the actors on each side of her instinctively moved a step back for a better view of her, while in his lurking place old Tinker let his dry lips open a little, which was as near as he ever came, nowadays, to a look of interest. He had noted that this voice, sweet as rain, and vibrant, but not loud, was the ordinary speaking voice of the understudy, and that her "I'm here," had sounded, soft and clear, across the deep orchestra to the last row in the house.
"Of course!" Packer cried. "There she is, Mr. Potter! There's Miss--Miss--"
"Is her name 'Missmiss'?" the star demanded bitterly.
"No sir. I've forgotten it, just this moment, Mr. Potter, but I've got it. I've got it right here." He began frantically to turn out the contents of his pockets. "It's in my memorandum book, if I could only find--"
"The devil, the devil!" shouted Potter. "A fine understudy you've got for us! She sees me standing here like--like a statue--delaying the whole rehearsal, while we wait for you to find her name, and she won't open her lips!" He swept the air with a furious gesture, and a subtle faint relief became manifest throughout the company at this token that the newcomer was indeed to fill Miss Lyston's place for one rehearsal at least. "Why don't you tell us your name?" he roared.
"I understood," said the zither-sweet voice, "that I was never to speak to you unless you directly asked me a question. My--"
"My soul! Have you got a name?"
"Wanda Malone."
Potter had never heard it until that moment, but his expression showed that he considered it another outrage.

IV
The rehearsal proceeded, and under that cover old Tinker came noiselessly down the aisle and resumed his seat beside Canby, who was uttering short, broken sighs, and appeared to have been trying with fair success to give himself a shampoo.
"It's ruined, Mr. Tinker!" he moaned, and his accompanying gesture was misleading, seeming to indicate that he alluded to his hair. "It's all ruined if he sticks to these horrible lines he's put in--people told me I ought to have it in my contract that nothing could be changed. I was trying to make the audience see the tragedy of egoism in my play--and how people get to hating an egoist. I made 'Roderick Hanscom' a disagreeable character on purpose, and--oh, listen to that!"
Miss Ellsling and Talbot Potter stood alone, near the front of the stage. "Why do you waste such goodness on me, Roderick?" Miss Ellsling was inquiring. "It is noble and I feel that I am unworthy of you."
"No, Mildred, believe me," Potter read from his manuscript, "I would rather decline the nomination and abandon my career, and go to live in some quiet spot far from all this, than that you should know one single moment's unhappiness, for you mean far more to me than worldly success." He kissed her hand with reverence, and lifted his head slowly, facing the audience with rapt gaze; his wonderful smile--that ineffable smile of abnegation and benignity--just beginning to dawn.
Coming from behind him, and therefore unable to see his face, Miss Wanda Malone advanced in her character of ingenue, speaking with an effect of gayety: "Now what are you two good people conspiring about?"
Potter stamped the floor; there was wrenched from him an incoherent shriek containing fragments of profane words and ending distinguishably with: "It's that Missmiss again!"
Packer impelled himself upon Miss Malone, pushing her back. "No, no, no!" he cried. "Count ten! Count ten before you come down with that speech. You mustn't interrupt Mr. Potter, Miss--Miss--"
"It was my cue," she said composedly, showing her little pamphlet of typewritten manuscript. "Wasn't I meant to speak on the cue?"
Talbot Potter recovered himself sufficiently to utter a cry of despair: "And these are the kind of people an artist must work with!" He lifted his arms to heaven, calling upon the high gods for pity; then, with a sudden turn of fury, ran to the back of the stage and came mincing forward evidently intending saturnine mimicry, repeating the ingenue's speech in a mocking falsetto: "Now what are you two good people conspiring about?" After that he whirled upon her, demanding with ferocity: "You've got something you can think with in your