Handy Andy, Volume One

Handy Andy, Volume One, by
Samuel Lover

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Title: Handy Andy, Volume One A Tale of Irish Life, in Two Volumes
Author: Samuel Lover
Release Date: June 12, 2007 [EBook #21817]
Language: English
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ANDY, VOLUME ONE ***

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[Illustration: Andy Icing Champagne]
The Collected Writings of SAMUEL LOVER

TREASURE TROVE EDITION
In Ten Volumes
Volume Three

THE COLLECTED WRITINGS OF SAMUEL LOVER

HANDY ANDY
A Tale of Irish Life

IN TWO VOLUMES--VOLUME ONE

BOSTON LITTLE, BROWN AND COMPANY MDCCCCIII
Copyright, 1901, by Little, Brown, & Co.
UNIVERSITY PRESS JOHN WILSON AND SON CAMBRIDGE,
U.S.A.

ADDRESS
I have been accused in certain quarters, of giving flattering portraits of
my countrymen. Against this charge I may plead that, being a
portrait-painter by profession, the habit of taking the best view of my
subject, so long prevalent in my eye, has gone deeper, and influenced
my mind:--and if to paint one's country in its gracious aspect has been a
weakness, at least, to use the words of an illustrious compatriot,
"--the failing leans to virtue's side."

I am disinclined, however, to believe myself an offender in this
particular. That I love my country dearly I acknowledge, and I am sure
every Englishman will respect me the more for loving mine, when he is,
with justice, proud of his--but I repeat my disbelief that I overrate my
own.
The present volume, I hope, will disarm any cavil from old quarters on
the score of national prejudice. The hero is a blundering fellow whom
no English or other gentleman would like to have in his service; but
still he has some redeeming natural traits: he is not made either a brute
or a villain; yet his "twelve months' character," given in the successive
numbers of this volume, would not get him a place upon advertisement
either in "The Times" or "The Chronicle." So far am I clear of the
charge of national prejudice as regards the hero of the following pages.
In the subordinate personages, the reader will see two "Squires" of
different types--good and bad; there are such in all countries. And, as a
tale cannot get on without villains, I have given some touches of
villainy, quite sufficient to prove my belief in Irish villains, though I do
not wish it to be believed that the Irish are all villains.
I confess I have attempted a slight sketch, in one of the persons
represented, of a gentleman and a patriot;--and I conceive there is a
strong relationship between the two. He loves the land that bore
him--and so did most of the great spirits recorded in history. His own
mental cultivation, while it yields him personal enjoyment, teaches him
not to treat with contumely inferior men. Though he has courage to
protect his honour, he is not deficient in conscience to feel for the
consequences; and when opportunity offers the means of amende, it is
embraced. In a word, I wish it to be believed that, while there are
knaves, and fools, and villains in Ireland,--as in other parts of the
world,--honest, intelligent, and noble spirits are there also.
I cannot conclude without offering my sincere thanks for the cordial
manner in which my serial offering has been received by the public,
and noticed by the critical press, whose valuable columns have been so
often opened to it in quotation; and, when it is considered how large an
amount of intellect is employed in this particular department of

literature, the highest names might be proud of such recognition.
London, 1st December, 1842.
The reprinting of the foregoing address, attached to the First Edition,
sufficiently implies that my feelings and opinions respecting my
country and my countrymen remain unchanged. So far, enough said.
I desire, however, to add a few words to inform those who may, for the
first time, read the story in this the Fourth Edition, that the early pages
were written fifteen years ago, as a magazine article;--that the success
of that article led to the continuation of the subject in other articles, and
so on, till, eventually, twelve monthly numbers made up a book. A
story thus originated could not be other than sketchy and desultory, and
open to the captiousness of over-fastidious criticism: it was never
meant to be a work of high pretension--only one of