Guy Mannering | Page 8

of the Yetholm tribes:--"Madge Gordon was descended from the Faas by the mother's side, and was married to a Young. She was a remarkable personage--of a very commanding presence and high stature, being nearly six feet high. She had a large aquiline nose, penetrating eyes, even in her old age, bushy hair, that hung around her shoulders from beneath a gipsy bonnet of straw, a short cloak of a peculiar fashion, and a long staff nearly as tall as herself. I remember her well; every week she paid my father a visit for her awmous when I was a little boy, and I looked upon Madge with no common degree of awe and terror. When she spoke vehemently (for she made loud complaints) she used to strike her staff upon the floor and throw herself into an attitude which it was impossible to regard with indifference. She used to say that she could bring from the remotest parts of the island friends to revenge her quarrel while she sat motionless in her cottage; and she frequently boasted that there was a time when she was of still more considerable importance, for there were at her wedding fifty saddled asses, and unsaddled asses without number. If Jean Gordon was the prototype of the CHARACTER of Meg Merrilies, I imagine Madge must have sat to the unknown author as the representative of her PERSON."'[Footnote: Blackwood's Magazine, vol. I, p. 56.]
How far Blackwood's ingenious correspondent was right, how far mistaken, in his conjecture the reader has been informed.
To pass to a character of a very different description, Dominie Sampson,--the reader may easily suppose that a poor modest humble scholar who has won his way through the classics, yet has fallen to leeward in the voyage of life, is no uncommon personage in a country where a certain portion of learning is easily attained by those who are willing to suffer hunger and thirst in exchange for acquiring Greek and Latin. But there is a far more exact prototype of the worthy Dominie, upon which is founded the part which he performs in the romance, and which, for certain particular reasons, must be expressed very generally.
Such a preceptor as Mr. Sampson is supposed to have been was actually tutor in the family of a gentleman of considerable property. The young lads, his pupils, grew up and went out in the world, but the tutor continued to reside in the family, no uncommon circumstance in Scotland in former days, where food and shelter were readily afforded to humble friends and dependents. The laird's predecessors had been imprudent, he himself was passive and unfortunate. Death swept away his sons, whose success in life might have balanced his own bad luck and incapacity. Debts increased and funds diminished, until ruin came. The estate was sold; and the old man was about to remove from the house of his fathers to go he knew not whither, when, like an old piece of furniture, which, left alone in its wonted corner, may hold together for a long while, but breaks to pieces on an attempt to move it, he fell down on his own threshold under a paralytic affection.
The tutor awakened as from a dream. He saw his patron dead, and that his patron's only remaining child, an elderly woman, now neither graceful nor beautiful, if she ever had been either the one or the other, had by this calamity become a homeless and penniless orphan. He addressed her nearly in the words which Dominie Sampson uses to Miss Bertram, and professed his determination not to leave her. Accordingly, roused to the exercise of talents which had long slumbered, he opened a little school and supported his patron's child for the rest of her life, treating her with the same humble observance and devoted attention which he had used towards her in the days of her prosperity.
Such is the outline of Dominie Sampson's real story, in which there is neither romantic incident nor sentimental passion; but which, perhaps, from the rectitude and simplicity of character which it displays, may interest the heart and fill the eye of the reader as irresistibly as if it respected distresses of a more dignified or refined character.
These preliminary notices concerning the tale of Guy Mannering and some of the characters introduced may save the author and reader in the present instance the trouble of writing and perusing a long string of detached notes.
ABBOTSFORD, January, 1829.

ADDENDUM: I may add that the motto of this novel was taken from the Lay of the Last Minstrel, to evade the conclusions of those who began to think that, as the author of Waverley never quoted the works of Sir Walter Scott, he must have reason for doing so, and that the circumstances might argue an identity between