Great Artists, Vol 1. | Page 6

for us the myth and the secular story, but let us save from any earthly touch our painter of sacred things."
In 1513 the great Julius died, and Leo X., a member of the famous Medici family of Florence, succeeded to his place. Raphael was in the midst of his paintings in the Vatican, and for a time it was uncertain what the new Pope would think of continuing these expensive decorations. Though lacking the energy of Julius, Leo continued the warrior-pope's policy regarding art works. So Raphael went on unmolested in his work, with now and then a great commission added.
During the life of Leo the power of the Church sunk to a low level, and yet the angel-painter of the Vatican pursued in peace the composition and painting of his lovely works.
The "St. Cecilia" was a very important work painted about the time of Julius' death. It was painted for a wealthy woman of Bologna to adorn a chapel which she had built to St. Cecilia, the patroness of music. She had built this chapel because she thought she heard angels telling her to do it; in other words she had obeyed a vision.
In the picture the saint stands in the centre of a group made up of St. John, St. Paul, St. Augustine, and Mary Magdalene. She holds carelessly in her hands an organ from which the reeds are slipping. What charms can even her favorite instrument have for her when streams of heaven's own music are reaching her from the angel choir above? Every line of face and figure shows her rapt attention to the celestial singers. The instruments of earthly music lie scattered carelessly about.
While our attention is held most of all by the figure of St. Cecilia, the other persons represented interest us too, especially St. Paul, leaning on his naked sword. (See illustration.) His massive head and furrowed brow show man at his noblest occupation--thinking. In delightful contrast is the ever beautiful St. John, the embodiment of youth and love.
[Illustration: ST. CECILIA. Raphael.]
When the picture was completed Raphael sent it to his old friend Francia, the artist of Bologna. It is related that Francia, on seeing the wonderful perfection of the picture, died of despair, feeling how poorly he could paint as compared with Raphael. Whether this story be true or not, it is certain that the people of Bologna were much excited over the arrival of the picture and gloried in possessing the vision of St. Cecilia. The picture is still to be seen in Bologna, where it retains its brilliant coloring, slightly mellowed by the passing years.
The Sistine Chapel was the most beautiful apartment in the Vatican. Its walls were covered with choicest frescos. Its ceiling, done by the wonder-working hand of Michael Angelo, was a marvel. To add still more to the beauty of this Chapel, Leo ordered Raphael to draw cartoons for ten tapestries to be hung below the lowest tier of paintings. Now you know that cartoons are the large paper drawings made previous to frescos and tapestries to serve as patterns.
Raphael selected ten subjects from the Acts of the Apostles. His designs were accepted and sent to Arras in Flanders where the most beautiful tapestries were manufactured. The cartoons were cut into strips that they might be more conveniently used. In 1518 the tapestries, woven of silk, wool, and gold, were finished and brought to Rome, where they were greatly admired.
[Illustration: MIRACULOUS DRAUGHT OF FISHES. Raphael.]
In 1527, Rome was sacked by savage soldiers and many of her choicest things carried away. Among them were these tapestries. They were sold and then restolen by Jews, who thought to separate the gold by burning them. They tried this with one and found that the quantity of gold was so small that it was not worth the trouble, and so the others were spared and sold to a merchant of Genoa. They were finally recovered in a faded condition and are now in the Vatican.
Meanwhile the cartoons were forgotten and three of them lost. The Flemish artist, Rubens, came across those remaining, however, and recommended Charles I. of England to purchase them for his palace at Whitehall. Later Cromwell bought them for the nation, and today we may see them pasted together and carefully mounted in South Kensington Museum, London. "The Miraculous Draught of Fishes," (see opposite page,) is one of the best known of the series. All are bold and strong in drawing, and several are very beautiful, as "Paul and John at the Beautiful Gate." One critic, in speaking of the cartoons, says they mark the climax of Raphael's art.
We must not forget that all these years, while Raphael was making these wonderful cartoons and pictures, the work on the rooms of the Vatican was going steadily forward. He